📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

The Owls are not what they seem...

somewhere between two worlds inside the outer edges of a dream within a place, do you understand, a place? creamed corn dream

More to See

Comments

An ultra-detailed, ultra-realistic, vivid, elaborate, enhanced image, with intricate face and eye detailing, (Masterpiece:1.4), (intricate fine tuned detailing), (incredibly vivid, vibrant, hyper realistic surrealism), (flawless composition), elaborate, (luxurious texture), (depth of field), (vivid radiant colors), (RAW), (HD), (64k), cinematic, UHD, 128k, photorealism style(professional), depicting a surreal dream like portrayal of Special Agent Dale Cooper from Twin Peaks original tv series, played by Kyle Mclaughlin, he is standing outside at night, in an eerie douglas fur forest, by an old tree with a large hollowed hole in its bark, an unnatural, mysterious, other worldly, ominous owl with huge piercing eyes is watching him from within this hollow, multiple owls perched in various trees in background, special agent Dale Cooper is wearing the classic FBI black suit white collared shirt, professional, with a striped tie colored white red and black, a stern, concentrated, serious look on his face, he holds a tape recorder in his left hand, as his gaze seems to pierce through viewer, to something beyond, a truly stunning remarkable depiction of this iconic character, flawless, so dream like and ethereal, almost other worldly, ultra crisp, hyper sharp, crystalline clarity of resolution and definition, dynamic enhanced shadows, dimly lit only by light of the moon and intricately detailed star filled night sky, partially visible through the canopy of strange old douglas fur trees, in the background there are visible arcs of electricity jumping to various trees and branches, and a small, floating, out of place little ball of firey flame is faintly making its way towards him from the distance, the incredible breathtaking detail and perfection of this images likeness and accuracy to Dale Cooper is uncanny, remarkable, ultra-detailed, ultra-realistic, hyper-surrealist flawless composition, the creepy unsettling feelings invoked by the piercing gaze of the evil owl in the hollow tree truly capture and portray the weird mysterious style of twin peaks, in the absolute very back of the background beyond all of the forest and trees, faintly visible, red velvet curtains blanket the entire backdrop, use the unique artistic visual mysterious quirky dream world like style of David Lynch, and very subtly insert a few iconic items synonymous with twin peaks tv series, a slice of cherry pie sits on the forest floor, a cup of hot steaming coffee rests on a nearby tree branch, and in a few spots on the forest floor instead of foliage roots and dirt, a zigzag black and white tile floor can be seen, as if underneath everything, this floor is there, ray tracing, enhanced ethereal ambient natural moon lighting, triadic colors, sharp focus, occlusion, centered, symmetry, ultimate, shadows, highlights, contrast, <lora:more_details:0.5>, NightmarishAI, 4AM, 3AM, REM, Deap Sleep, REM sleep, Fog, Surreal, Nightmare, <lora:more_details:0.5>, NightmarishAI, 4AM, 3AM, REM, Deap Sleep, REM sleep, Fog, Surreal, Nightmare
Show Parameters
Size
767 x 1024
Sampling Steps
38
Sampling Method
DPM++ 2M Karras
CFG Scale
14
Seed
-57692901
Negative
worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t, asian, african, bad face, bad detail, bad hands, bad eyes, no complexity, no depth

Model & LoRA used

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬