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yuyuko

Comments

(masterpiece:1.6), (bright colors:1.0), (sharpness:1.0) , (solo, smile), (beautiful and clear background), (outdoors, japanese garden, night, full_moon), nice hands, perfect hands, , extremely and best quality, extremely and ultra detailed, beautiful detailed eyes, Very detailed CG unified 8k wallpaper, extremely detailed CG unity 8k wallpaper, extremely detailed CG unity 8k, extremely delicate and beautiful girl, ultra-detailed, (perfect anatomy), (high detail), (high quality), (high resolution),saigyouji yuyuko,ilst01
Show Parameters
Size
512 x 768
Sampling Steps
23
Sampling Method
Euler a
CFG Scale
6
Negative
(bad-image-v2-39000:0.8), (bad_prompt_version2:0.8), (EasyNegative:0.8), (NG_DeepNegative_V1_4T:0.8),(deformed iris, deformed pupils, bad eyes, semi-realistic:1.4), (worst quality, low quality:1.3), (blurry:1.2), (greyscale), (poorly drawn face), cloned face, cross eyed, (extra fingers, deformed hands, 6 fingers, long neck, large head), mutated hands, (fused fingers), (too many fingers), (extra arms), (extra legs), (poorly drawn hands and fingers), (bad anatomy), (bad proportions), cropped, lowres, text, (extra hands, extra feet, ugly), (bad eyes), (bad face), (ugly), title, plump, fat, strabismus, clothing cutout, extra leg, extra arm, bad foot, (bad anatomy), missing finger, extra digits, fewer digits, (multiple view, reference sheet), (mutation), (deformed face), (bad proportions), (extra limbs), extra face, (double head), (extra head), (extra feet), (extra legs), (extra hands), (logo, cropped, normal quality, jpeg, long body, long neck), (jpeg artifacts), (signature, watermark, username, blurry, artist name), (interlocked fingers), multiple_views

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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