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AI art "Invisible Cities #6"
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Invisible Cities #6

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theseoldshades

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Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else. I speak and speak,” Marco says, “but the listener retains only the words he is expecting. The description of the world to which you lend a benevolent ear is one thing; the description that will go the rounds of the groups of stevedores and gondoliers on the street outside my house the day of my return is another; and yet another, that which I might dictate late in life, if I were taken prisoner by Genoese pirates and put in irons in the same cell with a writer of adventure stories. It is not the voice that commands the story: it is the ear. ..the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping...something runs among them, an exchange of glances like lines that connect one figure with another and draw arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene... Invisible Cities, Italo Calvino,more_details:-1, more_details:0, more_details:0.5, more_details:1, more_details:1.5,masterpiece, bestquality, ultra-detailed, detailed scenery, cinematic effect
Show Parameters
Size
512 x 768
Sampling Steps
20
Sampling Method
DPM++ 2M Karras
CFG Scale
7.1
Seed
8352827389654049
Negative
(worst quality, low quality:1.4),(shota:1,4),(child:1.4),(aged down:1.4),(muscular male:1.4),(censored:1.4), large head, bad eye, extra digits, extra fingers, curly hair, (2000s:2), (2010s:1.3), text, error, signature, watermark, username, lowres, cropped, low quality, worst quality, jpeg artifacts, blurry, bad anatomy, bad_anatomy, badhandv4, bad hands, bad arms, bad feet, bad lips, inaccurate limb, muscular, manga-like, lowres, (2000s:1.3), (2010s:1.3), text, error, signature, watermark, username, lowres, cropped, low quality, jpeg artifacts, blurry, bad anatomy, ((((bad proportions)))), distorted, abnormal anatomy, abnormal body part, blurred features, 1boy, portrait, alone, head turned the wrong way, deformity, abnormality, imbalances, warping, torso turned the wrong way, incomplete anatomy, partial anatomy, extra limb, genderbend, missing fingers, fewer digits, extra digit, knees bending the wrong way, feet facing the wrong direction, body horror, cuntboy, extra head, extra hand, extra arm, headless, no head, no legs, floating torso, extra torso, hand in place of foot, foot in place of hand, foot turned the wrong way, ((wrong hand)), deformed hands, mutated hands, cut legs, deformed legs, twins, sketch, comic, zombie, monochrome, third leg, dusty color, (1girl:1.9), girl, female, woman, 1girls, black and white, EasyNegativeV2, ng_deepnegative_v1_75t

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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