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ドナドナされるまで大人しく待つ

多くの予想に反して大人しく獄に繋がれたままでいるジェネ。 時間的にも魔力は枯渇しており、もはや彼女には何もできない。 サイフー首脳部は、警戒を内から外に重点を置く。 ジェネは囮で、外から彼女の信者が攻めてくることを考慮しての対応であった。 そして深夜は過ぎていくなか、ゆっくりとジェネが目を開く。 「見つけた・・・・・」 姫の魔力は微弱な為に時間がかかったが、見つけたのだ、本物の姫の居場所を。 姫は実用と遊びを兼ねてジェネに自分の世界の手話を教えていた。 そして先程の姫との謁見の際に、ジェネが唯一覚えることを渋った手話・・・・反抗しますをしたが(左胸に拳を当てて、肘を右に引く)、姫は無反応であったことから偽物であることを確信したのだ。 「姫様・・・・今お救いにまいります・・・・」 牢獄の隅にあった、ピンポン玉サイズの光球がジェネの体に触れて消滅した瞬間、彼女は手枷の付いた両手を大きく振りかぶり、石でできた壁に渾身の力で両手を叩きつけて粉砕骨折させた。

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(masterpiece:1.2), (best quality:1.2),newest, intricate details, ai-generated,(anime coloring:1.2) ,(focus on woman's face), 1 woman, solo, adult female, Woman has long straight hair showing forehead, dark blue hair , (expressionless:1.2), ( closed eyes:1.3), Woman has a slender, willow-like body, small breasts ,narrow waist and toned hips, The woman is wearing (blue military uniform with epaulettes and black shorts:1.2) garter straps, black stockings, , (handcuffs, :1.1) , wariza, (hand between legs:1.3), ,prison ,maris amarilis, long hair,
Show Parameters
Size
896 x 1152
Sampling Steps
7
Sampling Method
Euler a
CFG Scale
1.5
Seed
4695249323533933
Negative
(worst quality), (low quality), (bad), bad anatomy, bad hands, bad feet, bad hand, bad hands, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, nsfw, explicit
HiRes

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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