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最近XLモデルの練習してるんですが気になったことがあって実験です。 従来モデルとXLモデル、どっちがいいんでしょうかね? 個人的にはXLモデルを完全に使いこなせてないので比較にならんかもですが、同じプロンプト+同じモデルシリーズ+同じ条件LoRAだったら違いが出ますかね?という相当に乱暴なぶっ込み企画デス。 こんなの条件違いすぎて比較できないんじゃん?モデルだって同シリーズでも別もんでしょ? デスヨネー。まあそういう結果でもいいかなぁと。 というわけで、水習作用に起こしたプロンプトで生成比較です。モデルはどちらにもあるGhostMixを採用。プロンプト同じでLoRAはTurbo&Detailのみ。 今回は水モチーフです。水は結構好きで今まで水没イラストがたくさんあったかと思いますが😅水をうまく表現できないかなぁといじくってます。 まずはSDモデル、水ぶはぁッになって欲しかったのに他のものがぶはぁッになってますな・・vibrant color入れたのに色も出なかった。プロンプト難しいぃ!😖 で。続いてXLモデル。コストカット用のturbo LoRAはご容赦ください。sampling methodとかステップ数は同じ条件です・・って。色出すぎでしょ?!え?同じGhostシリーズなのになんで?!( ゚д゚)ポカーン 原因不明なのでクレジット自腹でturbo切ってみたんですがほぼ同じクオリティの絵が出たんでこの色はturbo関係ない模様(ラストの絵がturboカットです)。それもスゴイなturbo! 乱暴企画ですが結果としてはお好み?なのかな?どうでしょう?turbo付きならXLの方がクレジットお安いですがLoRA枠が減ってしまう。LoRA不要な場合ならXLの方がいいのかな?でも使ってみたくて使ってないLoRAがまだたくさんあるんだよなぁ😫 というわけでうちはまだ従来モデルで攻める予定です(LoRA都合)

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1girl, solo, alone, white cat ears,, long hair, blue sapphire eyes, walking through, ,looking at viewer, full clothed, masterpiece, best quality, ultra detailed, (long exposure:1.2),dynamic streaks, vibrant colors, fluid movement, (flowing water), white flower, (night:1.2),dreamy,soul,
Show Parameters
Size
512 x 768
Sampling Steps
20
Sampling Method
DDIM
CFG Scale
6
Negative
(blush:2,nose blush:2, NSFW:2), (worst quality:2), (low quality:2), EN, FastNegativeV2, EasyNegative, EasyNegativeV2, ng_deepnegative_v1_75t,(worst anatomy:2), (bad anatomy:2), (extra digits:2, fewer digits:2, flat color, flat shading, blurry:1.5),(poorly drawn face and eyes, poorly drawn fingers and hands:1.5), (third arm:2, third leg:2, third hand:2, third foot:2, fingers more than 5 in 1hand:2, fingers less than 5 in 1hand:2), (large head, bad eyes, bad hands, bad fingers:2, liquid fingers:2,melted fingers:2,lowres, missing limb:2, missing foot, floating limb, disembodied limb:2, disconnected limb:2), (malformation, disfigured, distorted, deformed, fused, mutated, crooped, inaccurate, crooked, disfigured, grainy, signature, bad art, logo, logos, username, signature, text, watermark, multiple angle:2, normal quality, overexposed, missing, underexposed, cloned face, nipple, navel, wide face:2), (skin spots, skin blemishes:2), (increasing the weight makes things worse),(extra fingers, deformed hands, polydactyl:1.5), (increasing the weight makes things worse),(extra fingers:2, deformed hands:2, polydactyl:1.5), (no negative:0), (deformed fingers:2), (long fingers:2), (extra digit and hands and fingers and legs and arms:2),
Face Fix
HiRes

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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