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View detailsUltra Anya
a continuation of 18 year old Anya, Anya got a transformation that she can use whenever she wants, Anya named this form Ultra Anya, in this form, her senses, reactions and thoughts are greatly increased, and she can even react to light, the range of her powers are increased 10 times, in this form, she never gets tired, she can run or jump for hours, even all day, she never gets tired, her mental energy barriers have become more resistant, being able to resist the nuclear explosion just by playing at making barriers, just like her giant avatar became more resistant and her barriers can also reflect any attack. In this form, she can also fire a laser of mental energy from her forehead, which can split the moon in half, She knows this because she accidentally broke the moon, but she corrected the moon using one of her powers in this form, which is to go back a few seconds in time, to 10 seconds, the range is very long, so much so that she bent the moon using this power while on earth. She also has 360 degree vision in this form. The weak point of this transformation is that it can only stay in this form for 1 hour, after that it cannot use this form for 1 hour, which is already a lot. Anya awakened this transformation when a gang of criminals kidnapped her parents and dog her, and they beat them, when she arrived at the criminals' base and saw them beating her parents and dog her, for the first time in her life, she felt hate, so much hate that she awakened this transformation and blinded by hate, but she managed to control herself from killing them, as her parents asked her not to kill the criminals before they passed out.
Show Parameters
- Size
- 1024 x 1024
- Sampling Steps
- 20
- Sampling Method
- DPM++ 2M Karras
- CFG Scale
- 6
- Negative
- worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t, bad anatomy, aura white
Face Fix
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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