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UNDEAD

YOASOBI 「UNDEAD」 https://youtu.be/BryspbM6s3E?si=JmPcZOgZ0gSbcWpE 撫子の部屋にダイナミック入室する斧乃木ちゃん

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super fine illustration,solo,dynamic angle,an extremely cute and beautiful girl,highly detailed beautiful face and eyes,(masterpiece:1.2), (best quality:1.2), wallpaper 8k CG,very precise detailed,highres,look at viewer,(1girl,perfect anatomy,perfect five fingers,twinkle in her eyes,bright pupils,ononoki yotsugi,green hair,twintails,green eyes,orange hat,orange dress,short_sleeves,frilled_skirt,black striped pantyhose,yellow rubber boots:1.3), UNHAPPY?,Neriyahito no ko yo,UNLUCKY?,Narimiru mono no mono,BE HAPPY!,Nagameru te ni sake yo,Ikite iru no de,Shiranai koro kara,Makoto no miryoku Counseling,Nan to shiteitte ne,Seikinen mae no Kokoro me de Hoshi ni,Waraiwaiken,Seishishitsu boshin za no Sekai buroquin,PEACE PEACE,Ne ga sh
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super fine illustration, solo, dynamic angle, an extremely cute and beautiful girl, highly detailed beautiful face and eyes, (masterpiece:1.2), (best quality:1.2), wallpaper 8k CG, very precise detailed, highres, look at viewer, (1girl, perfect anatomy, perfect five fingers, twinkle in her eyes, bright pupils, ononoki yotsugi, green hair, twintails, green eyes, orange hat, orange dress, short_sleeves, frilled_skirt, black striped pantyhose, yellow rubber boots:1.3), UNHAPPY? 悩める人の子よ UNLUCKY? 人成らざる者も BE HAPPY! 弛まず目指せよ 生きているんだし 目を逸らした過去も 退屈な未来も カウンセリング やれやれ 古今東西 ピースピース ねえ何だかどうして 戦ってるようなそんな気がするの 触れられない 触れたくもない 過去の自分自分自分自分と もうとっくに死んでる 透明な亡霊と対決 幼気で痛い記憶の奥 残念? もう居ないのに あれ? そっちが良い? アイロニーね 透かされているのは現在の自分? ナンセンス 消えないレッテル Yes! 要はコンプレックス 取り憑かれているみたい 巻き付いたまま まだ離れない 在りし日の自分 UNDEAD 死んじゃいない お前とお前の連鎖 生きていることとは変わり続けることだ 不幸に甘んじて 満足するなよ 幸せになろうとしないなんて卑怯だ この世この世は 奇怪奇怪ファンタジー 次は鬼が出るか蛇が出るか 出会って遭ってやっと始まる物語 さあ人か化物か 閑話休題 ピースピース カットイン 何だかどうして 未来になんぞ 何の希望もない期待出来ない ような気がして もう随分生きている 既視感とテンプレで食傷 素敵な出来事の気配もない 残念 積んだ経験の因果 形骸化された神話と退屈な進化 要は刺激が欲しいんだ 飽きちゃった 慣れちゃった なんて 整っていくガイダンス 増えるコンプライアンス 蓋されていくみたい 吸い尽くして あれもこれもどれも 同じ味がする UNDEAD 死んじゃいない お前とお前の連鎖 何時の世も 過去も未来も現在にあるんだ 生きていることを 愚直に果たせよ 目指せハッピーエンド UNDEAD 死んじゃいない お前に言っているんだ 幸せを諦めてしまうな 人で在れ ただ苦しみに慣れて 耐えているだけじゃ 死んでいるも同然 屍のアンデッド UNHAPPY? 悩める人の子よ UNLUCKY? 人成らざる者のも BE HAPPY! 弛まず目指せよ 生きているんだろ 不幸に浸るも 幸せになるのも そう全部全部お前だ 古今東西 一切合切 森羅万象 ピースピース 人の在る所に何時も憂い事 生き抜けこの化物ばかりの物語 BREAK beautiful detailed hair, delicate arms and hands, slim legs, authentic skin texture, BREAK detailed soft lighting, cinematic lighting, refined rendering, gorgeous and rich graphics, extremely detailedmasterpiece, detailed and intricate,clear line, highquality, best quality, Masterpeace,clear line, highquality, best quality, Masterpeace, ,YotsugiOnonoki,1girl,green hair,twintails,green eyes, orange hat, orange dress,short_sleeves, frilled_skirt, black striped pantyhose, yellow rubber boots,
Size
768 x 1280
Sampling Steps
13
Sampling Method
Euler a
CFG Scale
1.6
Seed
5930712453971108
Negative
(nsfw, lowres, (bad), text, error, fewer, extra, missing, (worst quality), (low quality),jpeg artifacts, watermark, unfinished, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, abstract, bad anatomy, bad hands, bad feet, bad hand, bad hands, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:1.6)
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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