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AI art "歌詞変換　島唄"
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歌詞変換　島唄

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未亜

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The deigo flowers bloom, Calling for the wind and creating a storm. The deigo flowers bloom and whirl, calling for the wind and creating a storm. The repeated sorrow is like the waves that pass the island Unazuki Strait If you meet in the forest of Unazuki Please say goodbye to each other under the waterfall Island song, ride on the wind Island song, ride on the wind Come and take it away It's my tears The deigo flowers also fell and scattered only willows Sasa genki is the flower of ephemeral waves A friend who sang in the forest of Unazuki Forest For eight hundred years of parting under the waterfall Island song, ride on the wind Island song, ride on the wind Come and take it away It's my love Ocean Universe God Life Oceans Remain forever in the sunset cal Buta Kingdom Island song Island song the sea Ivory towers? Corsreyed Under pick mid night scene atom bridge dream echo dam chords field pound emd unanotv speech inter the??s wrath Navverse?:5 koi fukai River Selection v 6 A letter to a friend in the distance Ocean
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Original Prompt
でいごの花が咲き 風を呼び 嵐が来た でいごが咲き乱れ 風を呼び 嵐が来た くり返す悲しみは 島渡る波のよう ウージの森であなたと出会い ウージの下で千代にさよなら 島唄よ 風に乗り 鳥とともに 海を渡れ 島唄よ 風に乗り 届けておくれ 私の涙 でいごの花も散り さざ波がゆれるだけ ささやかな幸せは うたかたの波の花 ウージの森で歌った友よ ウージの下で八千代の別れ 島唄よ 風に乗り 鳥とともに 海を渡れ 島唄よ 風に乗り 届けておくれ 私の愛を 海よ 宇宙よ 神よ いのちよ このまま永遠に夕凪を 島唄よ 風に乗り 鳥とともに 海を渡れ 島唄よ 風に乗り 届けておくれ 私の涙 島唄よ 風に乗り 鳥とともに 海を渡れ 島唄よ 風に乗り 届けておくれ 私の愛を
Size
768 x 512
Sampling Steps
30
Sampling Method
Euler a
CFG Scale
7.1
Negative
(worst quality:1.2),(low quality:1.2),split limbs,large head, extra digits,bad eye,(bad hands:1.5),(bad hand:1.5), (bad anatomy:1.5) , (EasyNegativeV2:1.2), (ng_deepnegative_v1_75t:1.2),(extra fingers:1.5), (deformed hands:1.5), (polydactyl:1.5), extra legs,extra arms, extra hands,split arms,split legs,(bad finger:1.3),(bad fingers:1.5),(missing finger:1.2), split fingers
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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#Attack on Titan#Mikasa Ackerman
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