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AI art "Portrait, Dark Young + Lilith - 1 (Lilith LoRA trained by Paradise)"
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Portrait, Dark Young + Lilith - 1 (Lilith LoRA trained by Paradise)

Avatar image of Dark-Fantasy
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Dark-Fantasy

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full body, A woman , [[fujimaru ritsuka (female)]], Gudako, orange eyes, short hair, orange hair, bangs, ahoge, sheep horns, big horns, huge horns, drill-rolls hair, tail, demon wings, third eyes in ((large breasts)), ((big breasts)), ((huge breasts)), ((cleavage))((breedable hips)), ((wide hips)), ((thick thighs)), ((beautiful)), big horns, wings, luscious lips, makeup, smile, bimbo makeup, red lips, eyeshadow, mascara, using magic while holding a magic hand with fire, In battle, water background, castle background, (full moon), (huge moon), (((star night))) background, it can woman coat its hands in black and red flames to claw its enemies with an fiery explosive finish. With a raise and glow of its hand, it can also cause remote explosions of red and white energy on targets that briefly releases a secondary explosion in the form of damaging black and red energy cross in the air that releases more black and red flames and absorbing a glowing red energy over itself, full body, (masterpiece, best quality), (absurdres absolutely resolution)cinematic scenery, bloody battlefield (castle), castle in flamme background, (full moon), (((battle scene))), ((fighting scene)), (((star night))) cinematic scenery, Score_9, Score_8_up, Score_7_up, Score_6_up, Score_5_up, Score_4_up,(((best quality++))), ((masterpiece)), ((extremely detailed illustration)), (absurdres absolutely resolution), (8k),(detailed illustration), (super fine illustration), (vibrant colors), (professional lighting), best quality,((better quality)), ((high quality)), (ultra-detailed)), (extremely detailed)), (vibrant colors), (acute approach), (UHD:1.2), (masterpiece), (kinematic lighting), (((solo))), (seductive smile), (clenched teeth), (((battle scene))), ((fighting scene)), standing, [[red magic circle]], ((perfect hands)), {{{masterpiece}}}, {{{best quality}}}, {{ultra-detailed}}, {illustration}, {{an extremely delicate and beautiful}}, ((perfect hand anatomy))), (((perfect fingers))) [[full body shot]], (((dynamic pose))),explosionmagic,excessive energy,smoke,glowing aura,explosionmagic,excessive energy,smoke,glowing aura ,style of ai01,1girl, seductive, delicate,gudako,LoRA:more_details:0.5/LoRA:add_more_extreme_details:1.0,,Otherworldly ,intricate detail,demoness, redhead, wings, horns, hell, fire
Show Parameters
Size
512 x 768
Sampling Steps
20
Sampling Method
DPM++ 2M Karras
CFG Scale
6
Negative
worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t
Face Fix

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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