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powerful Bismarck

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(masterpiece), (64k), intricate details, (highly detailed), photorealistic, cinematic lighting, shading, (best quality), absurd, (ultra high-resolution), cgi, (lineart), (depth of field), light particles, (hyper detailed), elaborated features, (volumetric lighting), BREAK. 1 woman, holding big sword, walking against wind, ancient ruins on forest, dark forest, sword on fire, curvy, claymore, (LoRA: Texture Pack)(1080p> imiage)(imiage Model contribution weight: minimum) (unparalleled beauty:1.5), portrait, (blush:1.2, expression of a girl in love:1.3), sharp focus, perfect hands, perfect light, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (detailed background), newest, perfect anatomy., 1girl best quality 4k full body view azur lane bismarck origin blue_eyes blonde_hair very_long_hair hair_between_eyes, hat peaked_cap, 1girl best quality 4k full body view azur lane bismarck origin blue_eyes blonde_hair very_long_hair hair_between_eyes military_uniform long_sleeves military_hat peaked_cap sidelocks short_dress thighhighs thigh_boots white_gloves fur_trim fur-trimmed_boo, Abyss Watchers, brown jacket, shoulder armor, dark red cape, long cape, torn cape, brown pants, brown boots, one Goulet, claymore sword, Texture pack, contextual texture application, retain style integrity, high definition textures, texture quality <max, neutral color decision weight, (Texture quality:max), (LoRA: Texture Pack)(1080p> imiage)(imiage Model contribution weight: minimum)
Show Parameters
Size
990 x 700
Sampling Steps
30
Sampling Method
DDIM
CFG Scale
9
Negative
EasyNegative, EasyNegativeV2, sketch, duplicate, ugly, huge eyes, text, logo, monochrome, worst face, (bad and mutated hands:1.3), (worst quality:2.0), (low quality:2.0), (blurry:2.0), horror, geometry, bad_prompt, (bad hands), (missing fingers), multiple limbs, bad anatomy, (interlocked fingers:1.2), Ugly Fingers, (extra digit and hands and fingers and legs and arms:1.4), crown braid, ((2girl)), (deformed fingers:1.2), (long fingers:1.2), (bad-artist-anime), bad-artist, bad-hands-5, bad_prompt_version2, lowres, verybadimagenegative_v1.3, zombie, (no negative:0), NG_DeepNegative_V1_75T, bad_prompt_version2, (KHFB, AuroraNegative), an6, negative_hand, negative_hand-neg, negativeXL, FastNegativeV2, unaestheticXLv13, Aissist-neg,, nsfw, nsfw, nsfw, nsfw
Face Fix

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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