Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

高いところに上げたわねぇ~っ!

せっかくいいところまで読んでたのに~っ!! むぐぐぐぐぐ……。あたしの背が低いことをいいことにあんな高いところに上げちゃうなんて…。絶対取ってやるんだから~っ!! と俺のほうを睨みつける女上司。取り上げて正解だったな? と思う。まあまあ睨まれるのは当然なんだけどな。俺だって夢中で読んでた本を途中で突然取り上げられたらそんな顔になるわけだし…。しかし、〇〇〇な本をむしゃぶりつくように読んでるなんてとんでもねぇ女だな? この人は…。はぁ~…。

More to See

Comments

“It's late at night, in a sweltering tatami room, a female boss with a short bob, huge breasts, shiny black hair and shining black eyes, and round round glasses with a perfect circle, wearing a man's sloppy dry white T-shirt, clutches her teary-eyed superior to glare at her and raises her right hand to try to get a sex book on a high place. She is trying to take it. She is not wearing a bra on her upper body. In contrast, the lower half of her body wears only white panties, but they are hidden by a long T-shirt that looks like a skirt. The woman is looking down at her at close range from just above the chest, reflecting her position from the waist up.” The woman is looking down from above, face at close range, absolutely hiding her breasts and panties in a man's drab, dry, thick white T-shirt, no-skirt (coat, jacket, etc.), muchimuchi, shiny skin, sleek skin, beautiful, best_quality, angry, skin-colored innerwear, raise your right hand up, breasts
Show Parameters
Size
512 x 768
Sampling Steps
23
Sampling Method
Euler a
CFG Scale
7
Negative
low quality, worst quality, 4 fingers or less, 6 fingers or more, erotic, exposure (e.g. to the public), no nipple, no panties, pubic hair, 3 hands or more, 3 legs or more

Model & LoRA used

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬