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Daniel Burris

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sleeveless, giant woman is wearing tight fitting black shorts, giant woman with large cleavage, giant woman is only bigger than all buildings, giant woman is only more than triple the size of all buildings, all buildings are triple the size of skyscrapers, giant woman in the city, only one person, solo, giant woman is being over viewer, body of giant woman is in full view, viewer is below feet of giant woman, giant woman stepping over entire city, giant woman, giant woman is maximum height available, giant woman expressing her body, giant woman stepping over building, giant woman stepping on entire building, giant woman is stepping on entire city, giant woman is only taller than 999 skyscrapers, giant woman is more than 99999 kilometers tall, ganaha hibiki
Show Parameters
Size
768 x 1280
Sampling Steps
25
Sampling Method
Euler a
CFG Scale
5
Negative
giant woman is less than 99999 kilometers tall, sfw, giant woman is not grabbing her butt while strutting, not nsfw, small breasts, anyone other than giant woman, giant woman smaller than city buildings, no cleavage exposed, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, EasyNegativeV2, not a giant woman, no large breasts, no sexual gestures made by giant woman, giant woman not squeezing her butt, giant woman not squeezing her breasts, giant woman is not bending herself over viewer, giant woman is not grabbing her butt, giant woman is not squeezing her breasts at viewer, giant woman is not grabbing her breasts towards viewer, giant woman is not grabbing her butt towards viewer, giant woman is not spreading her buttcheeks, giant woman is not spreading her legs open towards viewer, giant woman has smaller than large breasts, giant woman is not bending herself sexually, giant woman is not making sexual gestures at viewer, giant woman is not squeezing her breasts at viewer, giant woman is not squeezing her buttcheeks at viewer, giant woman is not spreading her legs at viewer, giant woman is not spreading her legs towards viewer, giant woman is not exposing her cleavage to viewer, not nsfw, giant woman is not opening her legs at viewer, giant woman is not opening her cleavage at viewer, giant woman is not showing her cleavage to viewer, viewer is not between thighs of giant woman, viewer is not between thighs of giant woman, no close up of breasts of giant woman, no close up of butt of giant woman, viewer is not between the legs of giant woman, giant woman is less than 999 skyscrapers tall, all skyscrapers are less than 999 kilometers tall, giant woman is not spreading her legs towards viewer, giant woman is not spreading her legs at viewer, giant woman is not showing her butt to viewer, giant woman is not squeezing her buttcheeks towards viewer, giant woman is under viewer, any other people, giant woman not showing her butt at viewer, giant woman not showing her body between her legs at viewer, giant woman not showing her body between her thighs at viewer, giant woman is not expressing herself sexually with her body at viewer, giant woman is not being sexual at viewer, giant woman is not using sexual body language at viewer, not ganaha hibiki, ganaha hibiki is less than 99999 kilometers tall

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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