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YOSHITAKA AMANO style

Sorry… I know that it’s not that quality of Mr.Anamo’s great art works. I will practice. https://www.yoshitakaamano.com https://namu.wiki/w/아마노%20요시타카 1. 개요 일본의 애니메이터이자 일러스트레이터. 2. 상세 특유의 몽환적인 그림체가 특징으로 파이널 판타지 시리즈의 일러스트로 유명하다. 15세였을 당시 친구와 함께 도쿄로 놀러왔는데, 평소 좋아하는 애니메이션을 만드는 회사를 방문하고자 찾아갔다. 그 때 자신이 그린 그림이 있는 스케치북도 가져갔는데, 타츠노코 프로의 사장인 요시다 타츠오가 그 스케치북의 그림을 보더니, "야! 너 우리 회사에서 일 해."라고 말해서 15살 때 강제 취업당한 에피소드가 있다. 천재는 천재를 알아본다. 아마노의 집이 시즈오카라 도쿄에서 일하기 곤란했기 때문에 요시다는 자신의 집에서 아마노를 먹여 키우며 2년 가량 그림을 가르쳤다고 한다. 1980년대에도 기갑창세기 모스피다, 아공대작전 스랑글 등의 작품에 참여하였으나 작품의 연이은 실패와 둥지인 타츠노코의 쇠락, 본인 능력에 한계를 느낀다는 등의 이유로 1986년, 천사의 알을 끝으로 애니메이션 업계를 떠나서 전업 일러스트레이터로 활동하게 된다.[1] 국내에서는 파이널 판타지 외에 프론트 미션의 게임 일러스트로 이름을 알렸으며 이외에도 뱀파이어 헌터 D 등의 소설 삽화로도 유명. 현재는 일본보다는 서구쪽에서 더 인정받는 일러스트레이터가 되었다. 개인 전시회에서 판화 등을 선보이기도 했다. 나이토 야스히로, 소노다 켄이치와 함께 서구권에서 널리 알려진 일러스터이기도 하다. 1999년에서는 DC 코믹스에서 닐 게이먼과 함께 샌드맨 시리즈의 스핀오프 샌드맨: 드림 헌터즈의 작화를 맡은 경력도 있다. 과학닌자대 갓챠맨2의 캐릭터 디자인 당시, 신입이 1시간에 걸려서 겨우 캐릭터 디자인 하나를 완성할 무렵 그동안 자고있던 아마노 요시타카(당시 20세)가 부스스 일어나서 순식간에 캐릭터 디자인을 4~5개 완성시킨 일화가 유명하다. (다카다 아케미의 회상) 2007년도에 NHK에서 그의 작품인 N.Y. SALAD를 TV 애니메이션으로 방영하기도 했다. 국내명은 '달빛주방 요정들'로, 정규 편성 프로그램이 아니라 광고 중간중간에 삽입된 애니메이션이었다. 사실 작품이라고 해봐야 그의 일러스트 몇 점을 기반으로 한 오리지널 애니메이션이지만. 파이널 판타지 XV 홍보차, 아마노 요시타카의 일러스트를 3D 방식으로 표현한 걸 스쿠에니에서 공개했다

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1girl, solo, beautiful girl, 20 years old, Yuna, perfect eyes, eyelashes, perfect face, deep eyes, shiny skin, complete grownup body, full body shot, full body shot, large chest, cleavage, busty, glamourous, ultra HD, elegant, nardack, <lora:ligne_claire_anime:1>, low contrast, chromatic aberration, high contrast, flat color, limited palette, ligne claire, masterpiece, top quality, high-quality, photorealistic, sharp focus, perfect hands, perfect light, add_detail:1, add_detail:0, add_detail:0.5,、 vibrant colors, Girl, mechanical parts, weapons, weapons, mechanical armor, android girl, mechanism-body part, masterpiece, high quality, trunks, future, past, present, flying, Yoshitaka Amano, Final Fantasy, Iconic Artstyle, <lora:more_details:0.5>, <lora:more_details:-1>, <lora:more_details:1.5>, (Outline), border line, plane background, line
Show Parameters
Original Prompt
1girl, solo, beautiful girl, 20 years old, Yuna, perfect eyes, eyelashes, perfect face, deep eyes, shiny skin, complete grownup body, full body shot, full body shot, large chest, cleavage, busty, glamours, ultra HD, elegant, nardack, <lora:ligne_claire_anime:1>, low contrast, chromatic aberration, high contrast, flat color, limited palette, ligne claire , masterpiece, top quality, high-quality, photorealistic, sharp focus, perfect hands, perfect light, add_detail:1, add_detail:0, add_detail:0.5, 、, vibrant colors, Girl, mechanical parts, weapons, weapons, mechanical armor, android girl, mechanism-body part, masterpiece, high quality, trunks, future, past, present, flying, Yoshitaka Amano, Final Fantasy, Iconic Artstyle, <lora:more_details:0.5>, <lora:more_details:-1>, <lora:more_details:1.5>, (Outline), border line, plane background, line, Grandia,グランディア,Leen,リーン
Size
512 x 512
Sampling Steps
10
Sampling Method
DPM++ 2M Karras
CFG Scale
1.6
Negative
Ugly, incomplete human body, blurry, worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t, nsfw

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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