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zephyrpgaming

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Technology & Combat Characteristics, The variable multi-purpose stealth space combat mobile aircraft carrier Macross Quarter is the operational base of the Strategic Military Services (S.M.S.) within the Macross Frontier colony fleet. Although one-quarter the size of the current Macross Class warships (being equivalent to a 400m-class vessel typical of regular carriers) the Macross Quarter can transform from a warship (cruiser mode) to storm-attacker mode (battle mode) for close-combat. The Macross Quarter boasts the mobility and combat performance of a fighter even though it is the size of mid-scale warships, The Macross Quarter is a compound vessel consisting of five warships. The central hull consists of the main body and legs. The forward port side aircraft carrier is designated ARMD-L while the starboard side gunship is designated ARMD-R. The rear starboard-side mobile battery warship is BASTER-R and the rear port side mobile battery warship is BASTER-L. These design mechanisms were aimed at simplifying the transformation. Since each unit carries its own reaction engine and fold engine they can be deployed as independent warships or a fleet. The Macross Quarter has the capabilities of an aircraft carrier/amphibious assault ship, close-quarter combat capabilities through transformation to storm attack mode and can carry a maximum of 80 variable fighters and Destroids. The Gatling-type buster cannon - which can be used as a Heavy Quantum Reaction gun - is suitable for heavy anti-ship combat. In addition to a high output reaction engine cluster, the Macross Quarter has the overall performance worthy of the "Macross" name despite being within the small, 400m-class of carriers, The Macross Frontier fleet's Yaesu Heavy Industries and the L.A.I. Corporation took charge of design and construction of a concept for a "relatively small and excellent maneuverability variable attack space aircraft carrier". The Macross Quarter was built in Macross Frontier's dock and when handed over to the S.M.S. upon completion, it was moored to a special pier on Island 1's port side. The vessel functioned as a central command and graveyard facility of S.M.S. Originally the Macross Quarter was registered as a "Special Duty Operation Warship" and when incorporated into the New UN Spacy it became designated "Small Mobile Combat Aircraft Carrier". At the request of the Executive Office of the President and with permission of the New UN military headquarters, the Macross Quarter sortied for the Macross Galaxy Rescue Operation on 1 May 2059. Thereafter, the ship was deployed for anti-Vajra combat following a complete overhaul of the radar system, Armaments, 1 x Gunship (Gatling-type buster cannon, Macross Cannon)/Heavy Quantum Reaction Cannon; can be used when energy is supplied by Central hull; Rapid-fire is possible with lower output in addition to being used as melee weapon when combined with pin-point barrier (mounted within forward starboard section in Carrier mode, right arm in Storm Attack mode), 10(?) x beam gun turrets for anti-aircraft defense (2 mounted amidships forward starboard (right shoulder); 2 mounted amidships forward port (left shoulder); 2 mounted amidships dorsal center (center torso); 1 mounted amidships rear starboard/1 port (upper legs); 1 mounted outboard starboard/1 port (lower legs). , many other firearms including reaction weapons. Pin-point barrier, hkmecha,m3chaf0rge,nijimecha,
Show Parameters
Size
753 x 900
Sampling Steps
25
Sampling Method
DPM++ 2M Karras
CFG Scale
6
Negative
worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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