Show Parameters
- Original Prompt
- best quality,absurdres,超凄い,1girl,kawaii,(solo:1.3),(huge breasts,淫靡な乳房,超高解像度な乳房,柔らかい乳房,ブルンブルン揺れる乳房,下乳,横乳,胸の谷間,膨張する乳房:1.3),(開いた乳首の穴,拡がった乳首の穴:1.7),(母乳,大きな勃起乳首から噴射する母乳:1.5),赤いブレザー,胸元が見える,黒いスカート,照れ,恥,羞恥心,笑顔,被虐性癖,腕を上げる,手で顔を隠す,赤面,(激しい動揺,焦燥:1.2),汗,プルプル震える身体,空いた口,upper body,bed,pov 乳首の穴に指を挿入する,AddXL,Asahi_Style,light brown hair, twin braids, brown eyes
- Size
- 1280 x 768
- Sampling Steps
- 10
- Sampling Method
- DPM++ SDE Karras
- CFG Scale
- 6.3
- Negative
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy,extra breast:1.4), (bad hands, bad feet, bad hand, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:1.2)
Model & LoRA used
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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