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AI art "First Time Using My LORA" featuring #Furry, #Maid Headdress, #Dragon girl, #Fireplace and #Argonian
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First Time Using My LORA

Using my own shiz woooo

#Furry#Maid Headdress#Dragon girl#Fireplace#Argonian
Avatar image of Olive

Olive

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argonian, lizard, lizard woman, furry, furry female, scaley, lizard person, reptile, reptile furry, reptile anthro, lizard furry, lizard anthro, green skin, blue skin, purple skin, orange skin, multi-color skin, many colors of skintones, scales, scale skin,liftshertail_tes, argonian, green scales, horns, tail, hands, female, 1girl, anthro, maid, maid outfit, maid headdress,see-through white lace bustier, panties, bows,Venusbody, shiny_skin, shiny skin, shiny lips, lipgloss, body scales, scale skin, curvy, thicc, thick thighs, thick eyelashes, plump lips, pouty lips, busty, large breasts, large butt, big thighs, big butt, big boobs, thin waist, lingerie, maid lingerie, purple scales, purple skin, red eyes, blue hair, blue feathers, blue hair feathers, hair is made of feathers, lizard claws, kneeling, on ground, hands on ground, squatting, kneeling pose, smile, smiling, blush, blushing, embarrassed, flustered, shy, cute, pretty, long eyelashes, oily skin, black background, dark background, warm lighting, high quality, claw feet
Show Parameters
Quality Tag
high quality, HD, beautiful, gorgeous, illustrative, painterly , ﹝Prompts﹞
Size
768 x 1280
Sampling Steps
5
Sampling Method
DPM++ SDE Karras
CFG Scale
3
Negative
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (6 fingers, 4 fingers, bad hands, bad feet, bad hand, bad finger, bad fingers, missing finger,missing fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:1.2)
Face Fix

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
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