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ホルアクティ暴走領域📜

海馬コーポレーション――そこは常人には理解しがたい次世代技術と夢の戦場が詰め込まれた、現実と仮想の狭間にある企業。 その中枢、開発局に突如、緊急アラートが鳴り響いた。 システム:「コード・ホルアクティ、シミュレーター内で暴走!仮想現実世界の構造が崩壊し始めています!」 研究員たちが逃げ惑う中、海馬瀬人は静かにモニターを見つめていた。 海馬:「……まさか、この世界の全記憶を司る神そのものが、自我を持つとはな。」 ホルアクティ。それは《創造神》とまで言われた究極の存在。だが今、その“神”が閉鎖されたはずのシミュレーター内で、独自の理想世界を創り上げていた。 海馬:「このままでは、仮想空間の境界が曖昧になり、現実世界への影響が避けられん……!」 そこで白羽の矢が立ったのが、異世界から招かれた存在――エメラと、戦闘ナースロボットメリア。 海馬:「エメラ。君の魔法制御力と感応能力に賭けたい。メリア、君にはホルアクティが構築した次元防壁を突破してもらう。君たちなら、"あの世界"に耐えられる。」 エメラ:「……つまり、止めなきゃいけないってことね。神様でも、暴走したら止めなきゃ。」 メリア:「照会:ホルアクティ。論理構造の崩壊を検知。現在の行動パターンは制御不能領域。排除プロトコルを起動します。」 海馬:「神のバグか……ならば、我々が再構築するしかあるまい。」 シミュレーター転送装置が起動する。2人の少女は、データと神話が混在する世界へと身を投じた――。

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,748cmstyle,<lora:LCMTurboMix2fix:1>,score_9, score_8_up, score_7_up, source_anime, absurd_res, ,seto kaiba, brown hair, brown eyes,a young man with brown hair and light skin, wearing a high-collared white trench coat with black inner layers, standing calmly in a futuristic control room full of glowing monitors. He has sharp blue eyes and a gold necklace. The background shows emergency alert screens with the word “CODE: HOLAKHTY” and a simulation grid collapsing. Semi-realistic anime style, dramatic lighting, sci-fi atmospher
Show Parameters
Size
1024 x 682
Sampling Steps
33
Sampling Method
Euler a
CFG Scale
6
Negative
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark
HiRes

Model & LoRA used

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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