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Tara didn't know why Mr. Darwin called us an evolution of apes or what evolution even meant. By the way, what is a single-celled organism? So she said, "How interesting, but my question is something else." Mr. Shabro twirled his sparse mustache and said, "What is it, my dear?" "Well, if we go ahead with literature, we are made of soil, and with science, we can say that glass is made of soil! And my question is, if we consider humans from soil and water, it means that we are made of clay. And my question is, how is glass made?" "Good question! Silica is in both our bodies and in glass, and if I want to explain it in a literary-scientific way, it could be because of the difference in how it is made! We are made of clay, and if we consider it very literary, we were made with cold water and then dried in the sun, but glass is heated in a kiln and when it comes out of the kiln and its heat subsides, it becomes "The crystal shape is coming out on its own! Do you want to talk about its crystals?" Tara said, "Yes." And she knew in her heart that she wasn't going to understand anything. So she just listened. Mr. Shebro said, "Glass usually does not have a crystalline structure, but if we control the cooling process, some glasses can become crystalline. That's why ordinary glasses are transparent, but special crystals, like crystal, reflect light. Our bodies also have crystals, like apatite, which is in our bones and teeth! But we ourselves are a living structure, not a piece of glass!" "So we are more advanced than glass?" "One hundred percent, my dear! One hundred percent! Don't doubt it at all." Tara said, "Thank you." The teacher replied, "Please, my dear, that was great. I wanted to explain crystals and solids a little today, and that was a good introduction!" Tara smiled. The teacher said, "Then let's get back to our lesson." "Yes." This time, Mr. Shebro eagerly took his things from the inside. She took out her bag and started teaching. Tara had taken out her notebook before Mr. Shebro entered, now she could open it and write. So she took a pen and wrote in the corner, "We are more organized, but glass has an advantage over us, it can break and be rebuilt many times, but we can't!" And then she closed her notebook and listened to Mr. Shebro's teaching.Tara didn't know why Mr. Darwin called us an evolution of apes or what evolution even meant. By the way, what is a single-celled organism? So she said, "How interesting, but my question is something else." Mr. Shabro twirled his sparse mustache and said, "What is it, my dear?" "Well, if we go ahead with literature, we are made of soil, and with science, we can say that glass is made of soil! And my question is, if we consider humans from soil and water, it means that we are made of clay. And my question is, how is glass made?" "Good question! Silica is in both our bodies and in glass, and if I want to explain it in a literary-scientific way, it could be because of the difference in how it is made! We are made of clay, and if we consider it very literary, we were made with cold water and then dried in the sun, but glass is heated in a kiln and when it comes out of the kiln and its heat subsides, it becomes "The crystal shape is coming out on its own! Do you want to talk about its crystals?" Tara said, "Yes." And she knew in her heart that she wasn't going to understand anything. So she just listened., against glass, ag_pose, (black background:1.2), flare, pny_style, Female, manhwa digital art style, minimalist oil painting, oil, dark atmosphere, aesthetic photography, semi-realistic oil painting
Show Parameters
Size
614 x 1024
Sampling Steps
20
Sampling Method
Euler a
CFG Scale
6
Negative
nsfw, naked, nude

Model & LoRA used

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AI artwork
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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