Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

L

More to See

Comments

, izmhyr, long hair, blonde hair, ahoge, sidelocks, hair bun, double bun, hair bow, hair between eyes, red eyes, large breasts Perspective: First-person top-down viewpoint, strictly from the perspective of someone seated on a chair, looking directly downward at the character kneeling beneath a desk, steep viewing angle focusing on the top of the head, shoulders, back, and hands near the mouth, with the legs and lower body partially visible in a compressed vertical view. Scene: Modern office interior, under a wooden desk, clean carpeted floor, soft directional lighting from ceiling or desk lamp, shadows cast by the desk frame, no clutter, no other people, neutral wall color, corporate atmosphere, quiet environment. Posing: A woman completely kneeling beneath the desk, sitting on her heels with knees together on the office floor, facing the viewer in a suggestive oral posture, hands positioned directly in front of the mouth as if gripping something invisible, posture implying an oral act without any male presence or genitalia visible, spine upright but relaxed, head tilted slightly upward, neutral and composed expression, lips closed, skirt worn normally at waist level, skirt as a separate garment from the blouse and blazer, no exposure of lower body, no panties or underskirt, no additional fabric layers under the skirt. Wearing: Clean, crisp white button-up blouse with a stiff pointed collar and narrow collar spread, no tie or bow, no decorative elements, fully buttoned, plain white buttons down the front, long sleeves with buttoned cuffs, no chest pocket, no stitching, blouse as a separate garment tucked neatly into the skirt. Dark gray tailored blazer with a sharp notched lapel collar, clean shoulder seams, single front button fastened, minimal business style, no emblem or trim, blazer as a separate garment worn over the blouse. Black high-waisted pencil skirt with no pleats or frills, ending just above the knees, skirt as a separate garment from the blouse and blazer, worn normally at waist level with no pulling down or exposure, no panties, no underskirt, no additional fabric layers under the skirt. Matte semi-transparent black pantyhose stretched tightly over the hips and thighs, smooth and uniform texture, no lace, no seams, no garter, clean finish. Simple black closed-toe leather high heels with no decorations. ,<LoRA-UtsunomiyaTsumire>,izmhyr, long hair, blonde hair, ahoge, sidelocks, hair bun, double bun, hair bow, hair between eyes, red eyes, large breasts,(Blowjob under table,open mouth, poke one's head out from under the table:1.2), (pov, solo focus)
Show Parameters
Size
1280 x 768
Sampling Steps
10
Sampling Method
Euler a
CFG Scale
1.7
Negative
score_6, score_5, score_4, source_cartoon, source_furry, source_pony, 3d, (censor, low quality, worst quality, normal quality, error, bad, blurry, lowres:1.2), (disfigured, bad anatomy, bad proportions:1.2), (bad fingers, extra fingers, fewer fingers, fused fingers, bad hand, bad arms, fused arms, fused hands, bad feet:1.2), (signature, username, watermark, jpeg artifacts:1.2)skirt in original position, skirt covering hips, skirt covering buttocks, skirt at waist level, skirt not pulled down, fully covered lower body, panties, underskirt, additional fabric layers, lower half of buttocks exposed, full buttocks exposed, front view, side view, high-angle shot, obstructed view, stickers, runes, patches, clothing covering lower body, blurry details, unrealistic lighting, excessive shadows, dress, one-piece outfit, skirt connected to blouse, skirt connected to vest, non-separated clothing, skirt not independent

Model & LoRA used

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬