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AI art "Iron Robot"
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Iron Robot

Avatar image of The Phoenix King
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The Phoenix King

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Retro-Future, 2140, everyone is copying the 1940s Aesthetic, (1940s Retro-Future Robot) (Brand new Iron Robot) Symmetrical Robot, (Male Robot) (Some parts of the Robot have been chromed) (The rims around the Robot's eyes are Chrome) (1940s Retro-Future Robot) (Brand new Robot) (The Robot was built today) Tall Skinny Robot, Electro-Hydraulic, (Robot looks like it was built in 1941) (The Robot is Skinny) 1940s Mass produced robot, (a cute work Robot) Iron colored Robot, (Robot has the same body proportions as a High School boy) Slightly oversized Cylindrical head, Hydraulic Cylinder neck, Cylindrical, (Cylindrical oil drum like body) Oil drum Body has a small steel door on the front, a hinge on the left side of door, a handle on the door, (The door on the Robot's chest is flush with the chest) Cylindrical Oil Drum shaped head, a single 1940s radio-like antenna on head, (The single antenna is in the middle) simple face, Round Black lens eyes, simple rectangular mouth, Simple, plain, Functional, rugged, no unnecessary parts, simple skinny Cylindrical tube-like arms, ratchet shoulders, ratchet elbows, simple hands, (Hands have a lot of flat square shapes) simple skinny Cylindrical tube-like legs, ratchet knees, ratchet ankles, simple triangular feet, rivets, welds, stamped sheet metal parts, (The Robot looks like it was designed by a 1940s Car manufacturer) Robot was just assembled, mass produced, (The Robot is on the Brick floor) (the Robot is bare metal) (The Robot is standing facing straight ahead) (The Robot looks like someone welded together a bunch of iron tubes, some Sheet metal, a bunch of ratchet wrenches, an antenna, two cameras, and two Oil drums and made a Robot in their garage) Welded seams, Iron Rivets, (located inside a red brick 1940s factory) The 1940s Factory builds Robots, Robots on assembly line hooks in the background, two conveyor belts, Midnight, (Dark) the Factory is closed for the day, (the Robot is bare metal) (round 1940s Orange yellow incandescent factory lights providing the only light source) (It is Midnight) (Wrought Iron Robot) (Welded Body panels)(Chrome Trim) Hands at sides, ,made of steel, polished steel, polished, shiny, made of steel, brushed steel, brushed, matt,detailed_background,dark blue light,dark location,
Show Parameters
Size
1024 x 1024
Sampling Steps
10
Sampling Method
Euler a
CFG Scale
2.5
Negative
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark

Model & LoRA used

Letters - AI Model cover image

SDXL

Letters
7.29k
Detailed background | landscape - PonyXL - AI Model cover image

User LoRA

Detailed background | landscape - PonyXL
2
30s Technicolor Movie (SD1, SDXL, Pony, Flux) - AI Model cover image

User LoRA

30s Technicolor Movie (SD1, SDXL, Pony, Flux)
1
dark blue light - AI Model cover image

User LoRA

dark blue light
75

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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