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Badass Luz!

#Cropped Jacket
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Comments

luz noceda, dark-skinned female, brown hair, brown eyes, short hair , cropped leather jacket, ripped fishnet underneath, high-cut shorts, tattoos, combat boots, spiked accessories, dark lipstick, black faux-leather cropped jacket, glyphs woven, glowing faintly in purples or blues, fishnet long-sleeve, glyph-branded bralette, crop top, metallic studs or pins shaped, glyph-marked thigh-high stockings, asymmetrical belts, lace-up combat boots, choker, fingerless gloves, half-shaved undercut, smokey, magical twist—her irises , eye makeup. Both arms are raised and bent, with her hands resting behind her head, elbows out wide—this opens up her body posture dramatically, Her back is slightly arched, naturally lifting her chest and curving her waist and hips, This causes the cropped jacket to ride up, fully revealing her toned stomach and possibly even the lower band of her bralette or glyph-tattooed midsection,One leg slightly bent, toes pointing outward—adds a subtle twist to her hips for a shapely silhouette, Smirk or half-lidded eyes—suggesting playful confidence,Maybe even a cocked eyebrow, as if daring the viewer to underestimate her,fishnet underlayer stretches across her torso, Her belts tilt and shift, one resting at an angle on her hip, possibly slung low to draw attention to her waist, simple background, sexy, attractive, seductive, looking around, sweaty, sweating, thick thighs, small breasts, wide hips, thick girl, thicc girl, soft curves, cute, simple background ,Jinu art style,tohstyle,Hachika-Chan
Show Parameters
Quality Tag
﹝Prompts﹞, masterpiece, best quality
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
7
Negative
worst quality, low quality, normal quality, bad hands, bad feet, bad anatomy, bad proportions, cropped, missing fingers, jpeg artifacts, signature, watermark, username, artist name,

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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