Sister Church of Redemption through Asceticism ❌Guardian of the Church, Fighting Sister🔹Art2
ilova world story 🔺Sister Church of Redemption through Asceticism ❌Guardian of the Church, Fighting Sister🔹Art2🔺
Show Parameters
- Original Prompt
- sfw,OC, 一個美麗的御姐修女 被許多little demon圍攻,1 人類女性, 深紅色的破損冒險服裝, 大约二十四五岁，非常痛苦的面孔，眼睛被布帶蒙蔽著，大胸部，各種顏色的心靈結頭髮, 頭戴著破損的頭冠，全身精緻的珠寶項鍊首飾套件,穿了一件破損的華麗宮庭金線繡花及膝高腰紅色長裙，衣摆塞进裙腰里, 雙手各戴著一個鐐銬並各連接著一個拖在地上三公尺長的鐵鍊,一隻手抓著自己手上的鐵鍊甩向little demon方向, 周圍是廢棄的古代街道以及貧民窟，古代街道兩旁是廢棄的垃圾，周圍圍繞著許多飛在空中的little demon,outdoors,perfect hands,wind effect, clean line, full body, little demon flying sky, (((masterpiece))), (((best quality))), (((ultra-detailed))), (((fine lines))), (((Sharp focus))), (detailed wallpaper), ((realistic atmosphere)), depth of field, HDR, fantastic world, dark world, magical world, magical age,Ultra high precision 16000 dpi image , intricate, very aesthetic, absurdres,(Japanese anime style, front lens,sharp focus, Lens flare), (side view),Surreal, daytime theme, light particles,((detailed light, soft light,volumetric shadow)), Fight stance, correct anatomy,great anatomy, good anatomy, accurate anatomy, detailed beautiful face, detailed beautiful eyes, detailed beautiful hair, perfect face, perfect eyes, perfect hair, ,Correct body proportions,((european oil painting style, painterly, textured painting)), elegant, luxury atmosphere, vintage tone, baroque, renaissance, muted color, soft diffused light, gentle lighting, soft shadows, beautiful woman, delicate facial features, detailed eyes, elegan,
- Size
- 920 x 1536
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (extra fingers, bad hands, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
Upscale
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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