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みどち

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みどち

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1girl, bulbasaur\(pokemon\), green skin, pink glowing eyes, cute face, tan, ahegao, wide eyes, thick thighs, chubby body, huge breasts, thick pussy, thick labia, very thick thighs, enormous butt, transparent vaginal fluids, transparent anal fluids, large anus, blackened pussy and anus, excessive pubic hair, grotesque, vaginal fluids dripping, vaginal fluids wetting legs, vaginal fluids pooling on floor, bloated belly, stomach swollen with cum, defeated, lying on back, short arms and legs, tentacles, restrained limbs, pussy and anus spread by tentacles, tentacles inserted in pussy and anus, breast fondling, breast sucking, extremely thick tentacles, tentacles covering mouth and nose, pink gas exhaled from mouth, pink gas injected into mouth, body covered in cum, bukkake
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Original Prompt
1girl, フシギダネ,ポケモン, 緑色の肌,ピンク色に光る瞳, 可愛い顔, 日焼け, アヘ顔,大きく目を見開く, 太腿を太くする, 身体を太らせる,ムチムチ, 異常に超大きい長乳, 肉厚まんこにする,小陰唇を超厚くにする,太ももをかなり太くする,尻を超巨大にする,透明な膣分泌液を大量に垂らす,透明な腸汁を大量に垂らす,アナルを超大きくする,黒く染まったまんことアナル,陰毛を超大量に生やす,陰毛を超大量に生やす,グロマン, 膣分泌液を大量に垂らす, 膣分泌液で足を濡らす, 膣分泌液を大量に床に垂らす, 腹ボコ,精液で腹がかなり大きく膨らむ, 敗北, 仰向け, 手と足を短くする, 触手,四肢拘束, まんことアナルを触手で拡げる, まんことアナルに大量に触手を入れる,乳揉み,乳を吸う, 超極太触手,触手が口と鼻のみを触手の口でへばりつく,口の中にピンク色のガスを大量に吐き出す,口にピンク色のガスを大量に注入する, 身体に大量射精,ぶっかけ,
Size
768 x 1280
Sampling Steps
14
Sampling Method
Euler a
CFG Scale
5.5
Negative
nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly

Model & LoRA used

Hoshino v2 - AI Model cover image

PixAI XL

Hoshino v2
4.12k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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