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赞妮

赞妮
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赞妮

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character: kochou_shinobu, vacbed, vacuum bed, face in vacbed, latex head, latex face, shiny face, against latex film, stick rubber film on face, Shinobu Kochou from Demon Slayer, mature style, onee-san style, Demon Slayer anime style background, lying in the middle of a rectangular steel pipe, entire body inside the rectangular steel pipe, lying on the ground, light shining from the top right, lighting, eyes closed, frowning, huge breasts, eyes closed, mouth open, mouth open in an oval shape, interior of mouth transparent latex gloss, lips transparent latex gloss, turning head, tilting head, side view, trembling, Shinobu Kochou thin lips, Shinobu Kochou wearing uniform, lips oily gloss, red lipstick, lips tightly closed, oily lips close-up, Shinobu Kochou wearing corps uniform, white belt, clothes shrinking, clothes vacuum shrunk, tightly clinging to the body surface, hands raised on both sides of the head, five fingers together, palms facing up, first-person perspective, a dark transparent latex film covering the body, perspective focused on breasts and head, a man's left hand forcefully kneading Shinobu Kochou's breast, right hand stroking Shinobu Kochou's cheek, vacbed, vacuum bed, face in vacbed, latex head, latex face, shiny face, against latex film, stick rubber film on face, anime illustration, great quality, best quality
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鬼灭之刃中的角色中的角色蝴蝶忍，熟女阿风格，御姐风格，鬼灭之刃动漫风格背景，躺在长方形钢管中间，整个身体都在长方形钢管内，躺在地上，右上角往上打光，灯光，闭眼，皱眉，巨乳，闭上眼睛，张开嘴，嘴巴张成椭圆形，口腔内部透明色乳胶光泽，嘴唇透明色乳胶光泽，转头，偏头，侧脸，颤抖，蝴蝶忍薄嘴唇，蝴蝶忍穿着制服，嘴唇油亮光泽，红色口红，嘴唇紧闭，嘴唇油亮特写，蝴蝶忍穿着队服，白色腰带，衣服收缩，衣服真空收缩，紧贴身体表面，双手举在头部两侧，五指并拢，掌心朝上，第一人称视角，一张深色透明色的乳胶薄膜盖住身体，视角聚焦在胸部和头部，男人左手用力揉捏蝴蝶忍的乳房，右手抚摸蝴蝶忍的脸颊，,vacbed,vacuum bed,face in vacbed,latex head,latex face,shiny face,against latex film,stick rubber film on face,
Mode
standard
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.73k
vacuumed face - AI Model cover image

User LoRA

vacuumed face
8

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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2#Attack on Titan#Mikasa Ackerman
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