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詩織·諾薇拉
Show Parameters
- Original Prompt
- shiori novella, black hair, blunt bangs, large breasts, long hair, multicolored hair, sidelocks, split-color hair, two-tone hair, straight hair, streaked hair, yellow eyes, grey hair, 彩色畫面只有一人 單人，女性 (穿著乳牛連體睡衣但是拉鍊式完全拉開的:1.5) 可以看見裡面的乳牛比基尼 爆乳肥臀 乳牛紋比基尼 乳牛紋長手套 乳牛紋過膝襪 乳牛耳朵頭飾 勒肉感，躺在床鋪上 全身照 女子用手對畫面做性挑逗的動作 女子看向畫面
- Quality Tag
- masterpiece, best quality, ultra-detailed, cinematic lighting, ﹝Prompts﹞
- Size
- 1280 x 768
- Sampling Steps
- 9
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- ((monochrome)), ((grayscale)), (worst quality:2), (low quality:2), (out of frame:1.5), (text), (watermark), (extra fingers, deformed hands, polydactyl:1.5), cropped, extra digits, bad eyes, EasyNegativeV2, ng_deepnegative_v1_75t, mutated hands, lots of hands, long neck, bad hair, unnatural body, uncoordinated body, unnatural eyes, uncoordinated eyes, tattoos, child, bad quality, ugly, tiling, poorly drawn hands, poorly drawn face, poorly drawn feet, disfigured, extra limbs, bad anatomy, watermark, signature, grainy, blurred, bad art, overexposed, underexposed, skin spots, skin blemishes, glans, extra fingers, fewer fingers, strange fingers, bad hands, bad feet, bad anatomy, extra hands, jpeg artifacts, watermark, username, poorly drawn, childish, futanari, big hands, un-detailed skin, ugly mouth, ugly eyes, cropped, bad proportions, skin blemishes, cloned face, extra limbs, long neck, earrings, acnes, age spot, multi arms, bad arm anatomy, bad hand anatomy, extra arms, other hands, fused fingers, bad finger anatomy, too many fingers, multi legs, bad leg anatomy, missing legs, extra legs, mutated legs, cross legs,
Face Fix
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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