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ノマ銀次

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ノマ銀次

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thick clear outlines, anime style thick line art, flat color, no blur, one adult woman, Japanese woman, around 30 years old, plump and soft voluptuous body type, full breasts, rounded hips, large fleshy thighs, feminine curvy body lines. Soft dark brown long hair, natural bangs, hair reaching the shoulders. The woman is standing directly in front of the camera, looking down at the camera. An extreme low angle looking up from a very low position. The camera is positioned lower than the woman's waist, but the entire body from head to toes is completely contained within the frame. Absolutely do not let the feet and heels go out of frame. Both feet are fully contained at the bottom of the screen with sufficient margin. Strong perspective caused by a wide-angle lens. 【Prioritize the depiction of the leg pose】 The woman is standing in a "bow-legged posture with knees spread wide apart while heels remain together." The left and right heels are in complete contact at the center of the body. The left and right heels fit tightly together, with no gap between them. Both heels form a single point of contact. However, the knees are spread wide apart in completely opposite directions. The left and right knees are very far apart from each other, and there is a clear, large space between the knees. The knees must never touch. Do not close the knees. Do not keep the legs together. From the heels to the ankles, they are close to the center, but from there, the left and right legs spread wide outward, moving far apart toward the knees. The thighs above the knees are also spread wide to the left and right. The overall legs form a clear V-shaped silhouette, "gathering at the center at the bottom and spreading wide apart at the top." Heels are touching, but knees are wide apart. Heels are closed, but knees are open. Maintain this leg positional relationship clearly. The toes are pointing outward to the left and right. The tips of the feet are also far apart, and both feet are externally rotated. Only the heels contact at the center, and from the ankles up, they spread to the left and right. The woman is not fully crouching. She is in a shallow half-standing posture, lowering her hips slightly as if about to sit, but she is still standing. A posture like a shallow squat. Both knees are bent, but not bent too deeply. The hips are slightly lowered, but the buttocks are not touching the floor or a chair. The upper body is held almost vertical. Not leaning forward. The back is naturally straight, with the chest and shoulders upright. A "half-sitting upright posture" with only the hips slightly dropped and knees spread wide to the left and right. The whole body is relaxed, with a slightly sloppy and casual atmosphere. A short-sleeved blouse with delicate white lace decorations. Over this, she is wearing a dark navy and blue checkered one-piece dress. The silhouette from the chest to the waist follows the body, and from the waist down is a soft flared skirt. Blue checkered pattern based on dark navy, soft fabric, natural cloth texture. Inside the skirt, a white lace-trimmed petticoat is layered. The petticoat is slightly longer than the skirt, and the hem of the white petticoat clearly protrudes from the hem of the blue checkered skirt. White lace and frills are continuously visible from the hem of the skirt. Clearly depict the two-layer clothing structure. The woman is holding the left and right hems of the skirt with both hands, spreading them wide to the left and right. The skirt spreads outward, and the inner white lace-trimmed petticoat is also clearly visible. Natural wrinkles in the cloth, soft drapes, and folds caused by gravity. 【Clearly include the entire legs in the screen】 Contain the head, torso, waist, both thighs, both knees, both calves, both ankles, both heels, and both toes completely within the screen. In particular, do not crop the feet at the bottom of the screen. A composition where the point of contact of both heels and both knees spread wide apart can be confirmed simultaneously. There is a large space between both knees, and this space can be clearly seen from the camera. The knees do not come close. Do not close the knees. Do not make the legs parallel. Do not bring both thighs toward the center. A calm and relaxed expression, eyes slightly half-closed, a soft smile, looking down at the camera. A bright and calm beige-toned interior, soft natural light, warm indoor lighting, soft shadows, the background is moderately blurred. High-definition anime illustration, semi-realistic texture, delicate line art, precise hair, smooth skin, precise clothing wrinkles, delicate lace, natural cloth drapes, three-dimensional feel, anime lady line
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Original Prompt
一人の成人女性、日本人女性、30歳前後、ふっくらとした柔らかな肉感のある体型、豊かな胸、丸みのある腰、大きく肉感的な太もも、女性らしい曲線的なボディライン。柔らかなダークブラウンのロングヘア、自然な前髪、肩にかかる髪。 女性はカメラの真正面に立ち、カメラを見下ろしている。非常に低い位置から見上げる極端なローアングル。カメラは女性の腰より低い位置にあるが、頭から足先まで全身を完全にフレーム内へ収める。両足と踵を絶対にフレームアウトさせない。画面下端には両足全体が十分な余白をもって収まっている。広角レンズによる強い遠近感。 【脚のポーズを最優先して描写】 女性は「踵を合わせたまま、膝を大きく左右へ開いたガニ股姿勢」で立っている。 左右の踵は身体の中央で完全に接触している。左右の踵がぴったりと合わさり、踵同士の間には隙間がない。両足の踵は一つの接触点を形成している。 しかし、膝は完全に別方向へ大きく開いている。左右の膝は互いに非常に大きく離れており、膝と膝の間には明確な大きな空間が存在する。両膝は決して接触しない。両膝を閉じない。両脚を揃えない。 踵から足首までは中央に近接しているが、そこから左右の脚が大きく外側へ広がり、膝へ向かって左右に大きく離れていく。膝から上の太ももも左右へ大きく開いている。両脚全体は「下部では中央に集まり、上部では左右へ大きく開く」明瞭なV字型のシルエット。 踵は接触しているが、膝は大きく離れている。踵は閉じているが、膝は開いている。この脚の位置関係を明確に維持する。 つま先は左右へ外側を向いている。足先も互いに離れており、左右の足は外旋している。踵だけが中央で接触し、足首から上は左右へ広がっている。 女性は完全にしゃがんでいない。座りかけているように腰を少し落とした浅い中腰姿勢だが、まだ立っている。浅いスクワットのような姿勢。両膝は曲がっているが、深く曲げすぎない。腰は少し沈んでいるが、臀部は床や椅子につけていない。 上半身はほぼ垂直に起こしている。前傾しない。背筋を自然に伸ばし、胸と肩は起きた状態。腰だけを少し落とし、膝を左右へ大きく開いた「座りかけの直立姿勢」。身体全体は力が抜け、少しだらしなく無造作な雰囲気。 白色の繊細なレース装飾が施された半袖ブラウス。その上から濃紺と青色のチェック柄のワンピースドレスを重ね着している。胸元から腰までは身体に沿ったシルエット、腰から下は柔らかなフレアスカート。濃紺を基調とした青色チェック柄、柔らかな布地、自然な布の質感。 スカートの内側には白色のレース付きペチコートを重ねている。ペチコートはスカートよりわずかに長く、青いチェック柄のスカートの裾から白いペチコートの裾が明確にはみ出している。白いレースとフリルがスカートの裾から連続して見えている。二層の衣服構造を明瞭に描写する。 女性は両手でスカートの左右の裾をそれぞれ掴み、左右へ大きく広げている。スカートは左右へ広がり、内側の白いレース付きペチコートも明確に見えている。布には自然なシワ、柔らかなドレープ、重力による折り目。 【脚全体を明確に画面へ入れる】 頭部、胴体、腰、両太もも、両膝、両ふくらはぎ、両足首、両踵、両足先まで完全に画面内に収める。特に画面下部の両足を大きく切り取らない。両踵の接触点と、左右へ大きく開いた両膝を同時に確認できる構図。 両膝の間には大きな空間があり、その空間をカメラから明確に確認できる。膝同士が近づかない。膝同士を閉じない。脚を平行にしない。両太ももを中央へ寄せない。 穏やかで余裕のある表情、半目気味の目、柔らかな微笑み、カメラを見下ろす視線。 明るく落ち着いたベージュ系の室内、柔らかな自然光、暖かな室内照明、柔らかな陰影、背景は適度にぼかされている。 高精細なアニメイラスト、セミリアルな質感、繊細な線画、精密な髪、滑らかな肌、精密な衣服のシワ、繊細なレース、自然な布のドレープ、立体感、 anime lady line, thick clear outlines, anime style thick line art, flat color, no blur,
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flash
Size
1408 x 1408
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Tsubaki.3 Flash
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thick clear outlines art with no blur for Tsubaki.3
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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#Attack on Titan#Mikasa Ackerman
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