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AI art "アビゲイル red chestnut-shaped crotch cloth" featuring #Bikini, #Fate series, #Red bikini, #Fate/Grand Order and #Abigail Williams
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アビゲイル red chestnut-shaped crotch cloth

アビゲイル red chestnut-shaped crotch cloth AI art by 鮭男秋刀魚 on PixAI. Tags: Abigail Williams, Fate series, Fate/Grand Order, Bikini. Made with Tsubaki.3.

#Fate series#Fate/Grand Order#Abigail Williams
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鮭男秋刀魚

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character: abigail_williams_(fate), copyright: megami_magazine megami_magazine, chromatic aberration, abigail williams (fate), pov, first-person view, from above, wide shot, foreshortening, 1girl, childlike blue eyes, blonde hair, long hair, very long hair, parted bangs, hair flower, mouth veil, multiple ornate bracelets, swimsuit cover-up dress, tankini, casual red tankini top, single o-ring strap belt, red chestnut-shaped crotch cloth, platform sandals, facing viewer, walking backwards, moving away from viewer, leading viewer by the hand, outstretched arm, holding hands, viewer holding phone in left hand, looking up at viewer, open mouth, grin, dynamic motion, red and cyan fringing, night, canal-type night pool, fireworks, illuminations, crowd in swimsuits, depth of field, bokeh, backlighting, rim light, The camera looks down the length of the viewer's own body in a steep first-person view, the frame tilted downward from eye height so that the near arm and the pale deck rush away toward a gulf of black water. In the immediate foreground, in the lower left corner, the viewer's left hand rises into frame gripping a lit smartphone at chest height, the phone's dark screen smeared with reflections, the knuckles lit cold white from above; the phone is held, never read, its screen carrying no letters at all, only a blurred glow of coloured light. From that left hand the frame travels right and deep: the viewer's right arm extends across the lower right of the picture toward a small hand that clasps it, and at the far end of that arm a blonde girl walks backwards up the deck, facing the camera, pulling the viewer after her. She is the only figure in focus. Her long blonde hair, parting at the brow into two swept bangs, catches the illuminations in a hot gold rim and swings wide around her shoulders with the momentum of her stride; the hair flower clipped above her right ear bobs with each step. A sheer mouth veil lies across the lower half of her face, breathing against her lips. Her childlike blue eyes are wide and bright, fixed straight up at the viewer, and she is caught mid-step in an open grin, one platform sandal lifted and swinging. The swimsuit cover-up dress, a loose translucent layer, flares away from her body as she retreats, and beneath it the casual red tankini top fits close over her chest, the midriff bare; a single O-ring pulls the belt snug at her hips, and red chestnut-shaped crotch cloth extend from that O-ring downwards. Multiple ornate bracelets slide and clatter along her raised right wrist where it locks around the viewer's fingers, all of them knocked toward her elbow by the pull. The deck planks run from the bottom edge of the frame toward her sandals and compress with distance, so that she grows visibly smaller as she moves away, still facing the camera, her lifted foot and the trailing dress the two most motion-blurred parts of her. Behind and around her the environment opens: a large canal-type night pool fills the middle distance, its black water carrying long vertical ladders of reflected illumination that break and reassemble where the water moves, and a narrow pale walkway edges it. Fireworks burst high in the upper third of the frame, green and pink shells, their light falling on the pool; string lights run along the far canal wall in soft warm chains out of focus. A crowd of people in swimsuits thins along the far edge of the pool, small, blurred, anonymous — a few lifted arms and glowing novelty lanterns, all of them out of focus behind her. The principal light is the fireworks and the illumination towers behind the girl, so she is rimmed in hot colour from behind while her face and the front of her dress sit in cool blue shadow, lifted and legible through a single soft fill from the viewer's phone in the lower left; the deck in the extreme foreground falls into darkness. Colour is disciplined to the scene: deep navy blacks for water and night, magenta, cyan and gold for the lights and the bursting shells, warm gold in her hair, and the phone's cold white as the only neutral. Chromatic aberration works hardest at the frame edges and along her swaying contours, red and cyan fringing doubling the outline of the far pool and her dress hem, and splitting the highlights on the crowd. No written lettering anywhere: signage, banners and the phone screen are all illegible glow. Fast, festive, dizzy with motion.
Show Parameters
Original Prompt
megami_magazine, chromatic aberration, abigail williams (fate), pov, first-person view, from above, wide shot, foreshortening, 1girl, childlike blue eyes, blonde hair, long hair, very long hair, parted bangs, hair flower, mouth veil, multiple ornate bracelets, swimsuit cover-up dress, tankini, casual red tankini top, single o-ring strap belt, red chestnut-shaped crotch cloth, platform sandals, facing viewer, walking backwards, moving away from viewer, leading viewer by the hand, outstretched arm, holding hands, viewer holding phone in left hand, looking up at viewer, open mouth, grin, dynamic motion, red and cyan fringing, night, canal-type night pool, fireworks, illuminations, crowd in swimsuits, depth of field, bokeh, backlighting, rim light, The camera looks down the length of the viewer's own body in a steep first-person view, the frame tilted downward from eye height so that the near arm and the pale deck rush away toward a gulf of black water. In the immediate foreground, in the lower left corner, the viewer's left hand rises into frame gripping a lit smartphone at chest height, the phone's dark screen smeared with reflections, the knuckles lit cold white from above; the phone is held, never read, its screen carrying no letters at all, only a blurred glow of coloured light. From that left hand the frame travels right and deep: the viewer's right arm extends across the lower right of the picture toward a small hand that clasps it, and at the far end of that arm a blonde girl walks backwards up the deck, facing the camera, pulling the viewer after her. She is the only figure in focus. Her long blonde hair, parting at the brow into two swept bangs, catches the illuminations in a hot gold rim and swings wide around her shoulders with the momentum of her stride; the hair flower clipped above her right ear bobs with each step. A sheer mouth veil lies across the lower half of her face, breathing against her lips. Her childlike blue eyes are wide and bright, fixed straight up at the viewer, and she is caught mid-step in an open grin, one platform sandal lifted and swinging. The swimsuit cover-up dress, a loose translucent layer, flares away from her body as she retreats, and beneath it the casual red tankini top fits close over her chest, the midriff bare; a single O-ring pulls the belt snug at her hips, and red chestnut-shaped crotch cloth extend from that O-ring downwards. Multiple ornate bracelets slide and clatter along her raised right wrist where it locks around the viewer's fingers, all of them knocked toward her elbow by the pull. The deck planks run from the bottom edge of the frame toward her sandals and compress with distance, so that she grows visibly smaller as she moves away, still facing the camera, her lifted foot and the trailing dress the two most motion-blurred parts of her. Behind and around her the environment opens: a large canal-type night pool fills the middle distance, its black water carrying long vertical ladders of reflected illumination that break and reassemble where the water moves, and a narrow pale walkway edges it. Fireworks burst high in the upper third of the frame, green and pink shells, their light falling on the pool; string lights run along the far canal wall in soft warm chains out of focus. A crowd of people in swimsuits thins along the far edge of the pool, small, blurred, anonymous — a few lifted arms and glowing novelty lanterns, all of them out of focus behind her. The principal light is the fireworks and the illumination towers behind the girl, so she is rimmed in hot colour from behind while her face and the front of her dress sit in cool blue shadow, lifted and legible through a single soft fill from the viewer's phone in the lower left; the deck in the extreme foreground falls into darkness. Colour is disciplined to the scene: deep navy blacks for water and night, magenta, cyan and gold for the lights and the bursting shells, warm gold in her hair, and the phone's cold white as the only neutral. Chromatic aberration works hardest at the frame edges and along her swaying contours, red and cyan fringing doubling the outline of the far pool and her dress hem, and splitting the highlights on the crowd. No written lettering anywhere: signage, banners and the phone screen are all illegible glow. Fast, festive, dizzy with motion.
Mode
pro
Size
1632 x 1232
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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