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Touhou Project: Reimu, Marisa & Sakuya

I am absolutely captivated by the powerful presence of these three Touhou icons, each showing off such unique charm and confidence. The way the artist highlights their distinct features and strength makes me appreciate them even more. If you enjoy this style, please leave a like and follow for more content, and let me know in the comments which girl is your favorite!

#Touhou Project #Underboob #Hat #Marisa Kirisame #Reimu Hakurei #Izayoi Sakuya #from below #Multiple Girls #Looking at viewer

Published on Nov 9, 2026

IamSpeed

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character: kirisame_marisa, hakurei_reimu, izayoi_sakuya 3girls, kirisame_marisa, hakurei_reimu, izayoi_sakuya, absurdly gigantic breasts, button gaps, covered nipples, underboob, athletic body, gigantic thighs, midriff, abs, toned stomach, wide hips, tall, standing, full body, from below, low angle, dramatic perspective, foreshortening, looking down at viewer, blonde hair, long hair, side braid, white bow, yellow eyes, black witch hat, hat bow, white apron, black and white outfit, puffy short sleeves, grey hair, twin braids, green bow, blue eyes, maid headdress, maid apron, blue and white maid dress, puffy short sleeves, frills, brown hair, long hair, hair tubes, frilled hair tubes, red bow, red eyes, sidelocks, detached sleeves, red skirt, yellow ascot, ribbon trim Three women stand shoulder to shoulder on a seamless charcoal-grey studio sweep, shot from a low angle looking steeply up so their full figures tower over the lens with the foreshortening of the viewpoint: thighs and hips swell enormous in the foreground, torsos taper, faces tip down toward the viewer at the top of the frame. Left, the blonde witch: long blonde hair falling loose past her waist with a single thick side braid swung forward over her shoulder, a white bow pinned above one temple, a black witch hat set at a slant with its own bow, yellow eyes glancing down sidelong with one brow arched, a lopsided smirk. Her black-and-white outfit is strained to its limit — the white apron rides up over a shelf of absurdly gigantic breasts, and the buttoned black bodice has burst open in a wide gap between two strained buttons, the fabric pulled to either side, nipples fully covered by taut black cloth and the apron's edge. The hem sits high enough that the whole midriff is bare, a hard grid of abs under pale skin, and her gigantic thighs press together, one knee bent and turned inward, her weight on the far hip, one hand tugging a gaping button placket. Centre, the shrine maiden: long brown hair with frilled hair tubes swinging at her cheeks, sidelocks framing her face, a red bow at the crown, red eyes looking straight down the barrel of the camera with a flat challenging stare, arms crossed under her chest so the crossing forearms press against the underside and push the breasts upward — the red-and-white detached-sleeve outfit's front panel lifted by the sheer mass so the underboob shows in a broad curved band of skin beneath each breast, the nipples themselves covered where the fabric folds over them. Ribbon trim and a yellow ascot pull tight above the swell, her red skirt hangs over the widest hips in the group, and the bare midriff between skirt and chest shows deep-cut abs and a navel stretched by the posture. Right, the maid: short grey hair with two braids and a green bow, a white maid headdress, blue eyes glancing sideways toward the witch with a cool half-lidded look, her chin lifted. Her blue-and-white maid dress with puffy short sleeves and frilled white apron is split open across the chest, the apron bib hanging low and the bodice gaping wide so the underboob of absurdly gigantic breasts fills the lower frame, nipples covered by the crossing apron edge; the apron waist is cinched hard over a bare midriff carved into defined abs, and gigantic thighs strain the skirt. One white-gloved hand rests flat against her own hip, the other lifts a fold of the apron. A single hard studio key from high above and slightly behind camera rakes down their fronts, catching the tops of the breasts, the sharp ridges of the abs and the stretched button thread, while deep shadow pools in the clefts, under the breasts, and in the fabric folds; soft fill from the grey sweep keeps the undersides readable and a long triple shadow falls down the seamless ground behind their feet. The palette is strictly the three costumes' own colours — blonde yellow and black-white, red-white and yellow ascot, blue-white and grey — against the cold neutral grey ground, nothing else admitted. Where the key grazes skin, fine down and a sheen of sweat are visible at the collarbones and the muscular ridges of the abdomens. Bold, stylized, overpowering presence.

Touhou Project: Reimu, Marisa & Sakuya

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