フレンダ・セイヴェルン15
57
LORA生成参考画像。 LORA名:(DiT2)フレンダ・セイヴェルン 作品:とある科学の超電磁砲 とある魔術の禁書目録 とある暗部の少女共棲(2026年10月9日開始予定♪) (説明) LoRAの詳細は、LoRAの説明ページにてご確認ください。 少し異なりますが、フレンダと佐天さんが知り合うきっかけのシーンです。だいたいこんな感じです。 ちなみに、鯖缶の画像は、自宅に保存食として確保してある鯖缶を 取り込んでいます。 サイズが大きく、はじめ、佐天さんの手に収まらなかったので、プロンプトで、手に収まるようにとお願いをしています。 ※これまた、AIさんが自動タグで、Tをつけてきています。一体作品を何回みたんだい?しかしスーパーの店内の画像もうまくつくるものだと思います。 フレンダの表情は白目にすれば良かったな~と若干悔いが残りました。 Frenda Seivelun 15 Reference image generated using LoRA. LoRA Name: (DiT2) Frenda Seivelun Works: A Certain Scientific Railgun A Certain Magical Index Coexistence of Girls in the Dark Side (Scheduled to start Oct 9, 2026♪) (Description) Please check the LoRA description page for full details. It’s slightly different from the actual story, but this depicts the scene where Frenda and Saten first meet. It captures the general vibe. By the way, the image of the canned mackerel is based on an actual can of mackerel I keep at home as emergency food. Since the can was large and didn't fit in Saten's hand at first, I used the prompt to ensure it would fit properly. *Once again, the AI automatically tagged it with "T" (for the series title). Just how many times has it watched the show? Still, I think it did a great job generating the supermarket interior. I do slightly regret not making Frenda's expression one where her eyes are rolled back (showing the whites of her eyes).
masterpiece, best quality, highly detailed anime illustration, dynamic Japanese TV anime comedy style, crisp clean line art, vivid cel shading, expressive faces, energetic visual storytelling, slightly exaggerated comedic reactions, cinematic composition, inside a large modern supermarket, in the canned-food aisle, a large promotional sales wagon placed in the center, the wagon is almost completely empty because the product has sold extremely well, only one canned mackerel product remains, a large and clearly visible Japanese promotional sign attached above the wagon, displaying exactly: 「特売!!鯖缶100円」, bold red and black lettering on a bright yellow sale sign, The canned mackerel should be stylized to a size that the character can hold in their hand. 参考画像1 character stands beside the wagon, holding the last remaining 参考画像3 canned mackerel product in one hand, about to place it into a supermarket shopping basket held in the other hand, natural hand placement, the can clearly visible above the basket, calm and satisfied expression, completely unaware of the tragedy happening nearby, 参考画像2 character watches the final can being taken away, displaying an extremely exaggerated anime comedy reaction of shock, despair, and disbelief, eyes wide open, tiny pupils, mouth hanging open, pale face, trembling body, shoulders collapsing, hands reaching helplessly toward the disappearing can, dramatic backward lean, stunned posture, emotional impact lines, jagged shock symbols, dark vertical despair shading around the face, comic speed lines emphasizing the devastating realization, the scene must clearly communicate: “The last discounted can was taken right before her eyes,” maximum comedic timing, overwhelming sense of having missed the final bargain, humorous but emotionally understandable desperation, a large white manga-style thought bubble above 参考画像2 character’s head, inside the bubble is one simplified and cute deformed illustration of the exact 参考画像3 canned mackerel product, clearly recognizable, no additional objects inside the bubble, strong visual contrast between 参考画像1 character’s casual satisfied behavior and 参考画像2 character’s catastrophic despair, both characters fully visible, clear spatial relationship, the last can positioned as the central focus, lively supermarket shelves filled with various canned goods in the background, bright fluorescent supermarket lighting, colorful sale decorations, polished anime background art, dynamic three-quarter camera angle, medium-wide shot, readable body language, balanced composition, comedic anime freeze-frame, dramatic reaction effects, appealing character proportions, accurate hands, accurate shopping basket, one wagon, one final can, one thought bubble, no physical conflict, no violence
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