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AI art "長門・改の歌える" featuring #Kantai Collection
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長門・改の歌える

歌ってみた

#Kantai Collection
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(masterpiece:1.2), (best quality:1.2), {high resolution, unity 8K wallpaper}, (illustration:0.8), (beautiful detailed eyes:1.4), extremely detailed face, perfect lighting, extremely detailed CG, (perfect hands, perfect anatomy), 1lady, various locations, {nagato kai ni (kancolle)}, black hair, huge breasts, hair between eyes, large breasts, long hair, pink_jacket, black_shirt, denim skirt, red eyes, looking at viewer, standing, listening to music, walkman, open mouth, music shop, <lora:more_details:0.5>
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Tamaño
768 x 1024
Pasos de muestreo
30
Método de muestreo
DPM++ 2M Karras
Escala CFG
7
Semilla
2013434378864588
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(badhandv4), (low quality, bad quality, worst quality, normal quality:1.4), (bad anatomy), monochrome, (long body), liquid body, malformed, mutated, anatomical nonsense ,bad proportions, uncoordinated body, unnatural body, ugly, gross proportions, disfigured, deformed, { mutation}, {poorly drawn} , bad hand, mutated hand, bad fingers, mutated fingers, badhandv4 , liquid tongue, long neck, fused ears, bad ears, poorly drawn ears, extra ears, liquid ears, heavy ears, missing ears, bad hairs, poorly drawn hairs, fused hairs, bad face, fused face, cloned face, big face, long face, bad eyes, fused eyes, extra eyes, bad mouth, fused mouth, bad tongue, big mouth , bad perspective, bad placement objects, lowres, bad anatomy, bad hands, error, missing fingers, blurry, (extra limbs),(three hands:1.1),(three legs:1.1) ,(more than two hands:1.4),(more than two legs,:1.2), cross eyed, ((username)), bad leg, liquid leg, long foot, long hand, grayscale, text, watermark, bad eyes, low detail, ugly, (extra fingers, extra hands, extra arms, extra legs, missing fingers, missing hands, missing arms, missing legs, deformed hands, polydactyl:1.5), EasyNegativeV2, ng_deepnegative_v1_75t
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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