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valagoth

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valagoth

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(Remembering Rouge Cafe's Dancers, Paris 1900s). Nostalgic images, delicate and pretty life drawings, fit body forms, vibrant clothing, candid graphic artwork, completed illustrations, finished art. Excellent designs, vector art print, flat color illustrations, partially colored, fiery red and lamp black, ultra detailed, Art Linocut, Great design, illustration and composition. linocut art, worn and textured printing ink effects, flat illustration, ultra detailed, high quality, masterpiece, sharp focus, Henri Toulouse de Lautrec, Alphonse Mucha, Doré, Gustave, Gustave Dore, midnight art, cartoonish, colorful, illustration, textures, flat colors, long hair, straight hair, long straight hair, dark magic, dark hair, dark eyes, brown eyes, flat illustration with outlines, greats colors, outstretched arms, gentle hands, sharp lights, heavy painting style, minimalist, long face, thin body, flowing dress, skin tight clothes, gouache, vector, low poly, design, mucha, art nouveau, art deco, alfons mucha, painting, vintage, artwork, VRB, vrb2, red and black, matchbox label, vintage, Milo, Manara, Fumetti, Drawing, Disegno, Dibujo, Arte
Mostra parametri
Dimensione
768 x 768
Passaggi di campionamento
18
Metodo di campionamento
Euler a
Scala CFG
10
Negativo
(unrealistic), NSFW, animal horns on humans, (picture frames), (more than 2 legs per person), (white border frames), worst quality, table top, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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