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Tara didn't know why Mr. Darwin called us an evolution of apes or what evolution even meant. By the way, what is a single-celled organism? So she said, "How interesting, but my question is something else." Mr. Shabro twirled his sparse mustache and said, "What is it, my dear?" "Well, if we go ahead with literature, we are made of soil, and with science, we can say that glass is made of soil! And my question is, if we consider humans from soil and water, it means that we are made of clay. And my question is, how is glass made?" "Good question! Silica is in both our bodies and in glass, and if I want to explain it in a literary-scientific way, it could be because of the difference in how it is made! We are made of clay, and if we consider it very literary, we were made with cold water and then dried in the sun, but glass is heated in a kiln and when it comes out of the kiln and its heat subsides, it becomes "The crystal shape is coming out on its own! Do you want to talk about its crystals?" Tara said, "Yes." And she knew in her heart that she wasn't going to understand anything. So she just listened. Mr. Shebro said, "Glass usually does not have a crystalline structure, but if we control the cooling process, some glasses can become crystalline. That's why ordinary glasses are transparent, but special crystals, like crystal, reflect light. Our bodies also have crystals, like apatite, which is in our bones and teeth! But we ourselves are a living structure, not a piece of glass!" "So we are more advanced than glass?" "One hundred percent, my dear! One hundred percent! Don't doubt it at all." Tara said, "Thank you." The teacher replied, "Please, my dear, that was great. I wanted to explain crystals and solids a little today, and that was a good introduction!" Tara smiled. The teacher said, "Then let's get back to our lesson." "Yes." This time, Mr. Shebro eagerly took his things from the inside. She took out her bag and started teaching. Tara had taken out her notebook before Mr. Shebro entered, now she could open it and write. So she took a pen and wrote in the corner, "We are more organized, but glass has an advantage over us, it can break and be rebuilt many times, but we can't!" And then she closed her notebook and listened to Mr. Shebro's teaching.Tara didn't know why Mr. Darwin called us an evolution of apes or what evolution even meant. By the way, what is a single-celled organism? So she said, "How interesting, but my question is something else." Mr. Shabro twirled his sparse mustache and said, "What is it, my dear?" "Well, if we go ahead with literature, we are made of soil, and with science, we can say that glass is made of soil! And my question is, if we consider humans from soil and water, it means that we are made of clay. And my question is, how is glass made?" "Good question! Silica is in both our bodies and in glass, and if I want to explain it in a literary-scientific way, it could be because of the difference in how it is made! We are made of clay, and if we consider it very literary, we were made with cold water and then dried in the sun, but glass is heated in a kiln and when it comes out of the kiln and its heat subsides, it becomes "The crystal shape is coming out on its own! Do you want to talk about its crystals?" Tara said, "Yes." And she knew in her heart that she wasn't going to understand anything. So she just listened., against glass, ag_pose, (black background:1.2), flare, pny_style, Female, manhwa digital art style, minimalist oil painting, oil, dark atmosphere, aesthetic photography, semi-realistic oil painting
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614 x 1024
Passaggi di campionamento
20
Metodo di campionamento
Euler a
Scala CFG
6
Negativo
nsfw, naked, nude

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ