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AI art "異世界食堂" featuring #Aletta and #Reisalin Stout
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異世界食堂

ライザ「あれ?」 気がつくと、扉が、荒野のすみっこにぽつんと立っていた。 ライザ「もしかして…ダンジョンかな?」 聞いたこともないが、ライザの目が光る。 そろりと手を伸ばし、扉を押すと、開いた光の中に吹き込まれた。 店主「ようこそ、洋食のねこやへ」 目の前には木造りの暑かみのある店内。 ライザ「え?なにここ?……どうしてあたし、こんなところに?」 謎の現象に戸惑うように周囲を見回していると、アレッタが笑顔で近づいてきた。 アレッタ「大丈夫です!ここは、あらゆる世界と結ばれる食堂です。お疲れでしたら、どうぞご優慣に!」 ライザ「え?え?…あ、ありがとう。」 不安を覚えながらも、ライザはおずおずとカウンター席に案内された。 そこでようやく落ち着いたころへ、アレッタが笑顔でメニューを持ってきた。 アレッタ「これをどうぞ!」 ライザ「ありがとう!えっと…じゃあ、この『ふわふわ卵のハンバーグプレート』!」 オーダーを受け取ったアレッタは、うれしそうに一礼すると、店舗の奥の方へ向かっていった。 そして、ほんのり時間を経て。 アレッタ自身が、両手で大切そうに料理を運んできた。 アレッタ「お待たせしました!『ふわふわ卵のハンバーグプレート』ですっ!」 食欲を刺激する香り、ふるふるとゆれる卵の素晴らしさ。 ライザ「いただきまーす!」 ライザはすぐさまスプーンを入れ、ひと口。 ライザ「っ~!!!」 顔を明るく、急いでまた一口。 付け合わせも色とりゆたかで、味もやさしい。 満足そうに笑うライザの様子を、店主はにこやかに見守る。 ライザ「そういえばお支払いは?」 店主「ありがとうございます。ここでは、いわゆる円という通貨が一般的ですが、無ければ金貨や銀貨、銅貨でもかまいません。」 ライザ「そうなんだ!!よかった!」 店主は笑み、ライザは銀貨を手に取って、おずおずと店主に手渡した。 この「異世界食堂」とやら。もうしばらく通いつめそうだ。

#Aletta#Reisalin Stout
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Commenti2

aletta,, green eyes, black dress, puffy sleeves, white shirt, black ribbon, waist apron, maid, black horns, smiling, reisalin stout, short brown hair, brown eyes, hair ornament, casual fantasy outfit, sitting at counter, looking happy, cool bearded chef, white chef uniform, chef hat, standing behind counter, smiling,black hair, traditional fantasy restaurant, warm lighting, wooden counter, bottles and plates in background, anime-style, detailed, cozy atmosphere,<lora:LCMTurboMix2fix:1>,score_9, score_8_up, score_7_up, source_anime, absurd_res,,748cmstyle
Mostra parametri
Dimensione
1536 x 1024
Passaggi di campionamento
50
Metodo di campionamento
Euler a
Scala CFG
6
Negativo
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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