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AI artwork featuring #Kanao Tsuyuri
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Kanao Tsuyuri

#Kanao Tsuyuri
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Silhouette of a female character from *Kimetsu no Yaiba*, Tsuyuri Kanao, in a black silhouette, partially visible through closed curtains. She is in a doggy style sexual position, with a large penis of a male character (wearing a school uniform) penetrating her. The scene is set in a love hotel at night, with light shining behind the curtains, casting a dark silhouette. The female character is fully clothed in white lace underwear, with a large amount of semen on her lips. Her body is drenched in semen, with visible sweat and heavy breathing. The male character is vigorously ejaculating, with his penis continuously shooting semen. The female's silhouette is detailed, with her body shape and features visible through the curtain. The scene is NSFW, with a dramatic, intimate atmosphere.
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Immissione richiesta originale
女の人の全身、手前にカーテンがあり、シルエットで描写手前にカーテンがあり、全身シルエットのみ描写(女子も特徴は書くがシルエットでのみ表現する)鬼滅の刃の栗花落カナヲ  下着=白のレースで口許についた大量の精液。荒い息づかいと汗。ラブホテルで女子が耳にスマホを当てながら浮気相手の男(学ラン)のでかチンポを全力でしゃがんでフェラチオ、あまりにも激しい容赦ない射精で着物も体も精液を浴びせられる、迸るように射精し続けているでかチンポ。。膣回りに大量の精液だ滴る、)横アングル 女の人の全身、手前にカーテンがあり、シルエットで描写 女性はカーテンの裏にいており、シルエットでのみ表示,NSFW,one male and one female in the room, a black silhouette of sex reflected through the closed curtain,Silhouette, from the side,light on behind the curtains, doggy style sex, Late at night, fully closed curtains
Tag qualità
high quality, year_2025, year_2024, ﹝Prompt﹞
Dimensione
768 x 1280
Passaggi di campionamento
25
Metodo di campionamento
Euler
Scala CFG
4.5
Negativo
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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