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AI art "エメラとメリア"
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エメラとメリア

（背景：青空と白い雲☁️、静かな庭の芝生の上🌿。物干し竿が一本立っている。メリアは無表情に洗濯かごを持っている。エメラは元気いっぱいにシーツを手にしている） 🧚‍♀️エメラ「メリア！　お洗濯干すの、手伝うねっ！」 🤖メリア「……了解。持ち上げる際は、風に注意を。」 🧚‍♀️エメラ「へーきへーき、私こう見えて手際はいいんだからっ！」💪 （エメラ、意気揚々とシーツをバッと広げて物干し竿にかけようとするが──） 🌬️ビュオォォ……ッ！（風が吹く） 🧚‍♀️エメラ「あっ──」😱 （ばさっ！ と風に煽られたシーツが、ちょうどメリアの顔に直撃。白い布に顔をすっぽり覆われるメリア） 🤖メリア「……視界、喪失。」🫥🕳️ 🧚‍♀️エメラ「わわっ、ご、ごめんメリアっ！？ いま取るから、ちょっと待ってね！？　風が強いなんて聞いてないよぉ〜〜っ！」💦💨 （エメラが慌ててシーツをはがそうと手を伸ばすが、シーツはメリアの機械パーツに引っかかって取れにくい） 🤖メリア「動くと、絡まる可能性がある。処理手順を、誤らないように。」⚙️🧠 🧚‍♀️エメラ「うん、わかった……慎重に……あーっ、もう、なんでこうなるの〜〜っ！」😫🌀 （遠くで鳥の鳴き声🐦。シーツに包まれたまま、無表情で立ち尽くすメリア。その横で悪戦苦闘するエメラ） ──今日もふたりは、仲良く（？）洗濯中。👭🌈

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ビュコック

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댓글6

(combat maid), (silver skin:1.3), short hair, side twin tails, silver hair, glowing circuits, mechanical leg, reinforced mechanical apron, futuristic maid outfit, red eyes, sharp features, mecha elements, no humans, white bedsheet completely covering face, standing still, surprised magical girl next to her, (green hair), blunt bangs, large chest, light brown eyes, long hair, low twintails, magical girl outfit, tareme, green dress with big bow, garden background, sunny weather, clothesline pole, flying sheet in wind, outdoor scene ,sharp focus, perfect hands, perfect face, perfect eyes, perfect light, dynamic light, natural light,sharp lines, vivid colors, high contrast,((4k,8k,Ultra HD)),((Masterpiece :1.2)),((Best quality :1.2)),((Detailed :1.5)),((Detailed background :1.5)),sinonggo, sinonalo, sinonsolus, dsshino
매개변수 표시
크기
1024 x 682
샘플링 단계
50
샘플링 방식
Euler a
CFG 스케일
2.5
제외 조건
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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