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AI artwork
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user-2037019377369542717

user-2037019377369542717

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character: cure_blossom, character: cure_marine, character: cure_sunshine, character: cure_moonlight, A medium shot, eye-level scene set in a bright morning bathroom, featuring Cure Blossom, Cure Marine, Cure Sunshine, and Cure Moonlight as fully transformed sexroid cyborgs with exposed metallic endoskeletons and no human skin. The girls are completely naked except for torn, oversized pink children's training bras and panties hanging loosely from their mechanical frames. Cure Blossom, Cure Sunshine, and Cure Moonlight stand with multiple transparent tubes connected to their lower abdominal nozzles, discharging thick, glowing pink-purple synthetic lubricant that overflows from the toilet bowls. Cure Marine sits on a toilet with a frustrated, humiliated expression, slowly discharging a dark brown-gray mechanical paste with glowing particles from her robotic ports. All four exhibit blushing metallic cheeks and shocked expressions, with pulsing cybernetic brains visible through transparent skulls. The environment is a sterile white bathroom with scattered torn undergarments on the tiled floor. The atmosphere is surreal and embarrassing, illuminated by harsh morning light that reflects off polished chrome surfaces, intricate wiring, hydraulic tubes, and glowing neon circuits in pink, blue, yellow, and purple.
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HeartCatch Pretty Cure four girls — Cure Blossom (Tsubomi), Cure Marine (Erika), Cure Sunshine (Itsuki), Cure Moonlight (Yuri) — as 100% fully transformed sexroid cyborg robots with zero human skin remaining, shiny metallic endoskeletons with every robotic part fully exposed, glowing neon pink, blue, yellow and purple circuits, visible wiring, hydraulic tubes, mechanical joints and data ports all over their bodies, glowing cybernetic brains pulsing through partially open transparent skulls, in the morning inside the bathroom, they are in the process of "discharge" or maintenance, completely naked except for torn childish pink kids training bras and children's panties hanging loosely or ripped, three girls (Cure Blossom, Cure Sunshine, Cure Moonlight) have multiple transparent tubes connected to their lower abdomen and mechanical nozzles, thick glowing pink-purple mechanical fluid (synthetic lubricant and coolant) heavily discharging from the tubes and nozzles into the toilet bowls, filling and overflowing the toilets, while Cure Marine (Erika) is sitting on the toilet with a frustrated and embarrassed expression, no normal poop comes out, instead a thick artificial synthetic feces-like substance (dark brown-gray mechanical paste with glowing particles) is slowly being discharged from her robotic nozzle and ports, she looks confused and humiliated because her system cannot produce real waste, all girls have shocked, blushing metallic cheeks and embarrassed expressions, detailed shiny metal textures, viscous glowing mechanical fluid and synthetic feces texture, bright morning bathroom lighting, scattered torn kids panties and bras on the floor, anime style, ultra detailed, surreal and embarrassing morning discharge scene, masterpiece, best quality, 8k
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pro
크기
768 x 1280
제외 조건
worst quality, photorealistic, bad anatomy, blur, low resolution

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Tsubaki.2 - AI Model 커버 이미지

PixAI DiT.2

Tsubaki.2
18.84k

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#진격의 거인#미카사 아커만
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