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View detailsAmeAwa Tsubaki3
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sketchy anime style, minimalist line art, pale blue and white palette, ethereal melancholic mood, loose fluid linework, soft pastel shading, fragile character design
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Artwork made by AmeAwa Tsubaki3
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Create a self-contained horizontal landscape illustration (no reference image needed) in a rough colored-pencil everyday-anime style: visible pencil grain, layered cross-hatching, subtle paper texture, thin slightly wobbly sketch lines, restrained washed pastels, and generous clean white negative space.
COMPOSITION / ROOM
Straight-on camera at seated eye level, facing a plain off-white sofa in a bright, nearly empty white room. Show exactly two girls in a quiet, tense, intimate face-to-face moment on the sofa: the girl on the LEFT reclines diagonally and looks up nervously; the girl on the RIGHT kneels and leans over her, their faces close and eyes locked. Keep the wall plain white. Sofa: broad off-white backrest across mid-frame, gently rounded top, faint vertical seam near center, one small round button indentation between the girls, and one broad seat cushion below.
LEFT GIRL — RECLINING
She reclines diagonally across the left/center seat, hips low at bottom left-center, torso leaning back against the lower backrest, head raised at the left and angled up/right. Her nearer arm supports her: elbow bent and planted on the cushion beneath/slightly behind her shoulder; forearm extends forward along the seat to the bottom center, palm down, fingers gently spread beside the right girl's shin, making a shallow cushion depression. Her other arm crosses her lower torso, mostly hidden; only a small relaxed part of the hand shows near her hip at the dress edge. Her legs extend rightward beneath the right girl's body; thighs emerge below her dress at bottom center, knees nearly straight, lower legs and feet completely concealed behind the right girl's shin/knee. No footwear visible on her.
Turn her face up/right in profile/three-quarter view, chin tilted back, neck elongated. Expression: shy, nervous, overwhelmed; raised brows drawn slightly inward, one large visible warm rose-red eye wide open and looking directly up at the other girl, far eye hidden by angle/front lock, dense cheek blush, two tiny sweat drops on cheek/jaw, and a very small mouth slightly open as if taking an uncertain breath.
Her hair is extremely long, pure cool snow-white, with broad distinct sections, fine separated straight bangs, long face-framing locks, and one small ahoge. Gravity pulls it down the left side: it spreads behind her raised head and shoulders over the backrest, then pools in heavy soft waves on the lower-left seat, with the ends near the bottom-left corner beside her supporting elbow. Front locks frame her cheek and nearer shoulder without obscuring her visible eye, blush, sweat drops, or mouth; one thin lock falls between her face and raised chin without touching the other girl. White hair shadows use only cool pale-gray / very pale blue-gray tones.
RIGHT GIRL — KNEELING
She kneels on the right side of the sofa, facing left and down. Her hips are high at the right; torso forms a long forward/downward diagonal from hips to lowered head, which is close above the left girl's face near upper center. Most weight rests on one knee planted at center-right, compressing the cushion. That leg's shin extends diagonally forward-left across the left girl's lower torso; the left girl's supporting hand rests beside it. Her other leg folds back beneath/behind her toward the right edge; only its lower section is visible, ending in one raised plain white-socked foot at the lower-right corner. Foot flexed, sole partly toward the backrest, toes pointing down toward the seat. No shoe.
Turn her head down-left in three-quarter view, chin toward the left girl's upturned face; keep nearer cheek and eye readable. Expression is serious, tender, intent: nearer brow gently angled down, one large warm rose-red eye half-lidded and looking directly into the left girl's eyes; far eye narrowed and partly veiled by a front lock; strong soft cheek blush; tiny closed mouth, quiet and determined.
Her nearer hand rests flat on the left girl's dress at lower-rib/waist level near center. Keep elbow bent close to her body, wrist emerging from the loose sleeve, palm gently pressing fabric, fingers naturally spread and curved without gripping. Add slim stacked silver-gray bracelets to this wrist. Her other arm hangs along the far side of her leaning body; forearm descends beside her planted knee and hand rests palm-down on the seat behind her forward shin, fingers relaxed and partly hidden.
Her hair is extremely long, warm pale blonde, in broad distinct sections with fine straight bangs, long face-framing locks, and one small ahoge. Wear it fully loose: no ponytail, half-up style, ribbon, or tied section. It falls on both sides of her lowered face and along her back, following gravity and her forward lean. The largest mass flows behind her shoulders and pools against the backrest/seat at right; several long sections fall beside her planted knee. Locks must not cover her visible eye, blush, or the gap between the faces. Keep the entire hair color uniformly warm pale blonde from roots to ends, with creamy honey-toned shadows only.
CLOTHING — BOTH GIRLS
Each wears exactly one oversized, solid deep charcoal-navy matte cotton T-shirt dress: a continuous single-layer garment from shoulder to hem, simple round neckline, loose rounded short sleeves, relaxed straight-to-gently-eased drape, and a plain smooth lower edge forming one shallow soft arc. No separate skirt or layered garment. Fabric is unpatterned and the hem is the same fabric and color as the dress, with no contrasting panel, border, piping, trim, lining, second hem, or decorative edge. Show solid pale-pink shorts only where naturally visible beneath the single hem; if visible, use at most one thin even white binding.
On the left girl, the dress settles around shoulders and hips against the sofa, with soft diagonal folds near the compressed supporting-elbow side and shallow folds beneath the right girl's resting hand. Its single hem lies across her upper thighs as one continuous shallow arc. Show only a small plain glimpse of pale-pink shorts beneath it, if needed.
On the right girl, the dress drapes diagonally from shoulders to hips, with soft folds; loose sleeves hang around upper arms, and the nearer sleeve may slide slightly toward the elbow of the arm reaching to the left girl's side. Fabric gathers naturally where her planted knee compresses it. Its single hem rests across the tops of her thighs as one shallow arc above the forward shin. Show only a narrow plain glimpse of pale-pink shorts beside the planted knee, if visible.
IDENTITY / COLOR SEPARATION
Keep the girls unmistakably distinct wherever their hair approaches: LEFT = reclining, pure cool snow-white hair, wide nervous eye, slightly open mouth, sweat drops, supporting arm; RIGHT = kneeling, uniformly warm pale-blonde hair, half-lidded focused eye, hand on the left girl's side, raised socked foot. Both have warm rose-red eyes. Preserve separate lock boundaries and separate color fields; never blend their hair colors. Never give the left girl blonde/dark/blue/gray base hair, and never give the right girl white hair, pink ends, gradients, or a second hair color. Never transfer either girl's clothing, accessories, limbs, pose, action, or expression to the other.
LIGHT / FINISH
Use very soft diffuse daylight from front-left with pale ambient fill. Add delicate contact shadows beneath the left girl's pooled hair, planted elbow, hips and extended legs, and beneath the right girl's planted knee, forward shin, supporting hand and raised socked foot; show shallow cushion depressions under points of contact. Backrest shadows are broad, faint warm-gray shapes behind heads and shoulders. Keep the palette airy and restrained: white wall, off-white sofa, charcoal-navy dresses, snow-white and pale-blonde hair, rose-red eyes, soft blush.
Hair lighting must be rendered only with shadow and native-color value transitions: root shadows, overlaps between locks, shadows under bangs/front locks, and contact shadows against skin, clothes, sofa, or the other girl. No halo or angel ring. No white hair lines, straight/linear highlights, glossy streaks, reflective bands, shine ribbons, or cel-style gloss bands. Keep the white hair bright with clean paper-white areas bounded by cool shadows, and blonde hair luminous through warm natural shadows, never drawn highlight stripes.
STRICT EXCLUSIONS
No readable text, speech bubbles, captions, logos, signatures, watermarks, UI, labels, numbers, or decorative lettering. Leave the seat cushion below the left girl's supporting hand blank, with only its off-white surface and soft shadow. No window, picture, furniture, decoration, or unrelated prop. No sailor collar, neckerchief, tie, cardigan, school uniform, pleated/plaid skirt, separate skirt, choker, hair ribbon, ponytail, fantasy accessory, animal trait, or source-character outfit/hairstyle. No extra people, duplicate faces, extra/missing/distorted limbs, hands, fingers, or feet; no merged bodies or anatomy.
Both dresses must remain plain and single-layered: no plaid, checks, tartan, gingham, grid, stripes, print, logo, lettering, emblem, motif, pattern, color blocking, contrasting section, trim, piping, lace, mesh, ruffles, pleats, gathered skirt, apron, petticoat, patchwork, separate hem/skirt panel, lining, second layer, or different hem material.
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sketchy anime style, minimalist line art, pale blue and white palette, ethereal melancholic mood, loose fluid linework, soft pastel shading, fragile character design, PixAI Image Generation Prompt
1. Overall Style & Composition
Create one completely self-contained vertical portrait anime illustration.
Art style: Hand-drawn colored-pencil illustration, fine visible pencil strokes, delicate hatching, layered cross-hatching, subtle paper grain, soft matte coloring, no glossy finish, no cel shading.
Camera and composition:
Direct overhead bird's-eye view, looking straight down.
Entire composition rotated 180 degrees.
One girl lying flat on her back on a plain ground surface.
Her head is positioned at the bottom center of the canvas.
Her torso occupies the central area.
Her legs extend toward the top edge.
Both feet and sandals are cropped outside the top frame.
Her body forms a gentle diagonal.
Her long hair spreads broadly across the lower half of the composition.
Her single large fox tail spreads across the ground beside her hips.
Maintain a close-up composition that clearly shows her face, upper body, waist, tail and asymmetric legs.
The girl is the only character in the illustration.
2. Pose & Expression
She lies supine in a relaxed, playful pose.
Her face looks directly upward toward the overhead camera. Her chin is slightly raised, and her head is tilted only a few degrees.
One hand is raised to the center of her chest, emerging from its detached sleeve. Her fingers loosely and delicately hold the thin black crossed cords of her bodice without pulling them.
Her other arm extends along the ground beside her torso, angled toward the upper right. The hand is relaxed and open, partially cropped by the right edge.
Leg positioning (strict screen-side assignment):
Viewer-right leg: Bent at the knee, thigh rising toward the upper-right corner, shin extending toward the top edge.
Viewer-left leg: Extended diagonally toward the upper-left corner, knee almost straight, shin slightly lifted from the ground.
Both feet remain outside the top frame.
Facial expression:
Wide-open, sparkling eyes.
Direct eye contact with the viewer.
Slightly raised eyebrows.
Small, open, playful smile.
Strong warm blush across both cheeks.
Cheerful, excited, teasing and slightly mischievous Halloween expression.
3. Character Design — Fox-Spirit Girl
Reproduce the following character design consistently.
Fox ears:
Exactly ONE pair of fox ears.
One ear on each side of her head.
No additional ears.
Slightly outward-angled.
Outer fur: soft tan (#E8CCB3).
Inner fur: pale cream-pink (#FDEFE7).
Short, smooth fur texture.
In the inverted composition, the ears point toward the bottom edge.
Fox tail:
Exactly ONE large, extremely fluffy fox tail.
Approximately as thick as one of her legs.
Extends from behind her hips and spreads across the ground.
Base color: warm tan-brown (#D8B093).
Gradually transitions into off-white cream (#F8ECDE) at the tip.
Soft, airy, voluminous fur texture.
No additional tails.
Hair:
Long, straight hair.
Deep dark violet base (#5A4F7E).
Mid-tone violet-blue shadows (#5567A8) in the underlayers.
Smooth gradient into light periwinkle blue-violet (#9FB9F8) toward the ends of every strand.
Slightly off-center parting.
Soft face-framing bangs swept to both sides.
A few loose strands around the temples.
Hair spreads broadly over the ground around her head because she is lying down.
Longest ends curl loosely.
Fine wispy strands around the outer edges.
Ponytail:
One thick section gathered from the crown and back of her head.
Tied high with a small ribbon.
Brought forward over her own right shoulder, appearing on the viewer-left side of her chest in this inverted composition.
Falls from her shoulder onto the ground.
Small tasseled ornament hanging from the tie.
Length equivalent to approximately knee height when standing.
Eyes and face:
Sharp, slightly mature teal-green eyes (#34B4A6).
Almond-shaped eyes.
Small warm reddish accent strokes at both outer eye corners.
Slightly longer-than-average dark upper and lower eyelashes.
Straight violet-grey eyebrows matching the hair shadows.
Fair, healthy ivory-toned skin.
Consistent skin tone across face, shoulders, collarbones, midriff, arms and legs.
Light aqua-blue fingernails (#4EB9CF).
4. Outfit Design
Reproduce the clothing layers and accessories precisely.
Inner skirt:
Tiered white ruffled underskirt.
Light, airy chiffon-like fabric.
Scalloped hem with thin light-purple trim.
Soft folds gathered around her hips.
Bodice:
Halter-style kimono-inspired bodice.
Teal-blue (#2689A8).
Subtle woven Japanese seigaiha wave pattern in lighter cyan (#4BB3CF).
Soft silk-like matte fabric, never glossy.
Thin black crossed cords securing the chest.
Bare shoulders, collarbones and midriff.
Waist skirt panel:
Teal fabric with the same subtle seigaiha pattern.
Worn over the white underskirt.
Obi ornament:
Large, dimensional bow-shaped obi at her hip.
Warm orange-tan (#FBC3A6).
Slightly stiff brocade-like fabric.
Several long twisted-cord tassels in dark teal (#295C6C).
Tassels spread naturally against the ground.
Asymmetric darker fabric panel layered partially over the bow.
Detached sleeves:
Oversized detached sleeves in the same teal fabric as the bodice.
Sleeves hang separately from the upper arms, NOT sewn into the shoulder seams.
Each upper arm is cinched with a black ribbon.
Small tasseled cords hang from the ribbons.
Raised-arm sleeve bunches softly toward the shoulder.
Extended-arm sleeve slips and pools slightly against the ground.
5. Asymmetric Legwear — Extremely Important
Do NOT mirror, swap or duplicate the legwear. Preserve the exact viewer-side assignment.
Viewer-right leg (bent leg):
Plain white thigh-high stocking.
Black leather-look strap harness around the outer thigh.
Small circular ring ornament hanging from the harness.
Viewer-left leg (extended leg):
Black tabi-style split-toe sock instead of a stocking.
Pale, extremely thin ring-shaped outline motif at the outer thigh.
This motif is NOT a solid strap.
No black harness on this leg.
Both lower legs:
Loose, gathered leg-covers below the knees.
Dark charcoal-navy (#494A5C).
Soft flannel or brushed-cotton appearance.
Cinched at both ends with drawstring cords and small tassels.
Deliberately baggy, never tight-fitting.
Extended viewer-left leg: prominent long leg-cover along the shin.
Bent viewer-right leg: gathered soft folds behind the knee.
Footwear:
Black lacquered wooden platform geta sandals.
Purple (#9B70C4) fabric thong straps.
Both sandals remain outside the top frame and are not visible.
6. Background & Lighting
Background:
Plain, flat ground plane viewed directly from above.
Muted matte gray-lavender color.
Scattered dark burgundy wine-red splatter marks resembling droplets and paint splashes.
Splatter marks concentrated most densely in the upper-left corner.
A few smaller, sparse droplets elsewhere.
No scenery, furniture, additional objects or decorative props.
Lighting:
Soft, diffuse and even illumination.
Light comes from above and slightly from the front.
Delicate soft shadows beneath her spread hair, fox tail, sleeves, raised hand and lifted shin.
Bright, colorful, pop-style Halloween atmosphere.
Spooky-cute, playful and inviting rather than dark or frightening.
7. Halloween Lettering — Required
Include the exact English phrase:
"Trick or Treat!"
Spell it exactly as written.
Use clearly legible English lettering.
Place the phrase in an open area of the background, preferably near the upper portion of the composition.
Keep it separate from the girl's body, hair, tail and clothing.
Use a charming Halloween-inspired hand-lettered style.
Lettering should complement the colored-pencil illustration.
A warm orange and muted dark-purple color combination is preferred.
Ensure the entire phrase is visible and not cropped.
Do not add any other words, letters, numbers or symbols.
This is the ONLY permitted text in the entire illustration.
8. Strict Hair Rendering Rules
Absolutely no glossy hair effects.
No glossy streak highlights.
No straight white shine lines.
No circular angel-ring highlights.
No specular reflections.
No plastic-looking hair.
No metallic-looking hair.
No artificial glossy finish.
All hair volume and lighting must be expressed exclusively through:
Soft blended shadow gradients.
Layered colored-pencil shading.
Gentle value transitions between individual strands.
Delicate hand-drawn pencil textures.
Apply these restrictions to every part of the hair, including the ponytail and hair spread across the ground.
9. Absolute Consistency & Exclusions
Exactly one girl.
Exactly one pair of fox ears.
Exactly one fox tail.
No cat ears.
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sketchy anime style, minimalist line art, pale blue and white palette, ethereal melancholic mood, loose fluid linework, soft pastel shading, fragile character design, Tightly cropped, intimate two-girl illustration, dark, tense yet tender: two girls pressed together, shown from the upper thighs up in a close-up with a tilted camera. Exactly two characters. Landscape, about 4:3.
COMPOSITION: Camera slightly above eye level, rolled about 10 degrees (dutch angle). The figures are packed along a diagonal from upper right to lower left: the right girl sits higher and leans in from the right; the left girl sits lower. Heads side by side with a narrow gap, the right head higher. Both sit in a roughly circular pool of cold light; the surroundings fall into a dark, blurred navy-indigo vignette, as if seen through a round lens, with faint red-blue fringing on outlines. Faces and the hand on the cheek are sharp; the extreme foreground and edges are softly blurred.
ARRANGEMENT: The right girl half-embraces the left girl from the side and slightly behind, torso turned three-quarters toward her. The left girl faces the camera, leaning back toward her, shoulders almost touching. The left girl's knee is drawn up toward the camera in the lower-left foreground, large from perspective; the right girl's bent thigh fills the lower-right corner.
HANDS AND ARMS: The right girl's arm extends from her shoulder at center-right in a long diagonal toward the upper left, passing just beneath the left girl's chin; its oversized loose sleeve crosses the middle of the frame like a broad sash, the hand emerging at the far end. That hand cups the left girl's cheek and jaw on the left side of her face: palm flat on the cheek, fingers curled gently along the jawline toward the ear, thumb on the cheekbone below the lower eyelid, its tip trailing a short smear of neon-magenta paint across the cheek. The touch is gentle and possessive, not violent. The right girl's other hand is raised before her chest, just under her chin, fingertips resting lightly on the left girl's shoulder near the collarbone, fingers softly curled. The left girl's arms are lowered, mostly out of frame, hands limp near her knee. Every hand has five well-formed fingers.
EXPRESSIONS: Left girl: face mostly toward the camera, tilted slightly toward the left edge as if leaning her cheek into the palm; wide eyes looking up at the viewer, brows drawn up at the inner ends in an uneasy, pleading look, lower lids moist, lips slightly parted showing the edge of her upper teeth, jaw tense. Right girl: frontal-leaning three-quarter face, chin lowered, head tilted slightly toward the left girl; gazing straight at the viewer from beneath lowered upper lids, calm, expressionless, detached, faintly predatory; brows level, lips parted a few millimeters, no smile. Short streaks of neon-magenta paint are smeared across her cheek beside the mouth corner, on the side away from the other girl. The shadow of her bangs falls over the eye nearer the other girl.
LEFT GIRL, fixed design (rabbit-eared): Exactly two long upright rabbit ears, outer fur peachy-tan (#F3AB8B), inner pale pink, leaning slightly with her head tilt, tops fading into the vignette. A thin gold halo-shaped metal ring is threaded through only her own left ear near its base; facing the camera, that is the ear on the right-hand side of her head in the image, kept clearly visible between the two heads. The other ear has no ring. It is a physical earring, not a halo above her head. Very long wavy light-golden blonde hair, honey-gold in shaded layers, past her waist, spilling over her shoulders into the lower-left foreground; a thick side section braided into a ponytail tied with a large red ribbon bow, hanging forward over her shoulder on the left of the frame; an elaborate braided bun at the back, mostly hidden; soft bangs. Large bright red-orange eyes (#FA6057), long slightly curled lashes, fair ivory skin. Outfit: tiered frilly white underskirt (#FDFCFA) and a short red-and-black wrap panel; sleeveless crimson-and-black kimono-style dress (red #C93949, black #3E3B40), matte fabric, asymmetric halter neckline, bare shoulders; a very large black-and-gold ribbon bow at the chest over red fabric with a white wave (seigaiha) pattern; long detached red sleeves with white wave trim, tied near the upper arm. White thigh-high stockings with a subtle gold pattern at the top and a black cord thigh harness with a circular ring on the outer thigh, visible on the raised thigh; feet out of frame.
RIGHT GIRL, fixed design (fox-eared): Exactly one pair of fluffy fox ears, angled slightly outward, outer tan (#E8CCB3), inner cream-pink (#FDEFE7). One single very large fluffy fox tail, as thick as a leg, curling behind her hip at the lower right, partly in shadow, tan-brown base (#D8B093) fading to off-white tip (#F8ECDE); it is solid fur, distinct from the liquid magenta splash behind it. Long straight deep dark violet hair (#5A4F7E), violet-blue in the underlayers (#5567A8), gradating to pale periwinkle (#9FB9F8) at the tips; side-swept bangs; a thick crown section tied high with a small ribbon into one long ponytail brought forward over the shoulder on the side facing the other girl, hanging down her chest partly behind the crossing sleeve, its tasseled tie visible near the shoulder. Sharp, slightly mature teal-green almond eyes (#34B4A6) with a small warm red accent at each outer corner, long dark lashes, straight violet-grey brows, fair ivory skin. Outfit: halter-style kimono-inspired bodice in teal-blue (#2689A8) with a seigaiha pattern in lighter cyan (#4BB3CF), soft non-glossy silk, crossed black cords at the chest, shoulders and collarbones bare. The crossing arm wears an oversized detached sleeve of the same teal fabric, tied at the upper arm with a black ribbon and tasseled cord; in shadow it reads dark teal-navy but keeps its hue. At the hip (lower center-right, dim) sits a large bow-shaped obi ornament in orange-tan (#FBC3A6) with long dark-teal (#295C6C) tassels over an asymmetric darker panel; a teal seigaiha wrap panel and a white underskirt (#FBFBFD) with purple trim and scalloped hem beneath. The leg visible at lower right wears a white thigh-high stocking with a black leather-look strap harness and a small ring on the outer thigh; the hidden other leg has a black tabi-style sock and a thin pale ring outline instead of a harness (never mirror the legs). Loose charcoal-navy leg-covers (#494A5C) below the knees; geta out of frame; pale aqua nails (#4EB9CF).
BACKGROUND: Void of deep navy and indigo. Heavy blue-violet chains with large oval links sweep diagonally: one blurred chain crosses in front of the lower bodies from the bottom-left corner toward the right-center, another loops behind the right girl's head at the top right. Dim lavender-gray sheets of paper lie scattered, out of focus, marked only with abstract blurred horizontal stripes, no letters, numbers or barcodes. In the upper-left corner the tip of a curved silver blade enters the frame, motion-blurred, with a cold blue-white edge. Neon-magenta paint (about #C81EC8) splatters as small drops on the left, and a large liquid splash with drips rises behind the right girl's shoulder at the right edge, casting a faint magenta glow into nearby shadows.
LIGHTING: A single cold lavender-blue key light from the upper left front lights the left girl's face, shoulders and pale clothing; the right girl is mostly in deep shadow, her face softly lit. Palette: navy, indigo, violet, with neon magenta as the one vivid accent. On both girls' hair, light and form come only from value changes (darker shadows between strands, soft color shifts, faint colored ambient tint in shadow), never shine.
STYLE: Hand-drawn colored-pencil illustration, layered strokes, visible paper grain, matte finish, loose dark-indigo contour lines of varying thickness; blurred areas look like smudged pencil. Strict hair shadow-only rule: no angel-ring highlights, no straight white shine streaks, no specular gloss. Chain links, the blade and the gold earring may have restrained metallic sheen (not hair).
AVOID: any hood or headwear over the animal ears; extra or duplicated ears; a second tail; the gold ring on both ears or a halo above the head; glossy hair; merged hair or clothing; extra people, limbs or hands, malformed fingers; any text, letters, numbers, barcodes, logos, watermarks, signatures, handles or UI elements.
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