PixAI 會員

📢 登入問題已解決 — 今天稍早，部分用戶可能因已知的伺服器問題而意外登出 PixAI 帳號，目前此問題已修復。 若您遭遇意外登出，請重新啟動應用程式或瀏覽器，再重新登入即可。若登入後發現帳號不符，可能是因為 Google 登入與電子郵件登入屬於不同帳號，請試著改…

查看詳情
AI art "Ruby Hoshino"
生成新作品免費生成免費生成

Ruby Hoshino

留言

1girl, ruby hoshino, oshi no ko, (masterpiece), (perfect details), (High resolution), (high quality), (sharp focus), (best quality), (solo), ((light in eyes)), blush, smile, good figure, , ,(masterpiece:1.2),(best quality:1.2),newest, ai-generated, intricate details, on stage at the concert venue, (light up to the stage), the crowd is cheering loudly, shining eyes, excited expression, arms up, kiss lip, light, high angle camera, standing with spread legs, dynamic angle, one leg up, emphasizing her facial expression and beautiful body lines, excited expression towards the camera, perfect hands, full-body shot, frill micro bikini, , vibrant colors, (david downton midjourney style:1.3),((ink art)),ink art, line art,ruby hoshino, long hair, bangs, blonde hair, pink eyes, sidelocks, symbol-shaped pupils, multicolored hair, two-tone hair,
顯示參數
尺寸
768 x 1280
取樣步數
10
取樣方式
Euler a
CFG Scale
1.3
反向提示詞
nsfw, lowres, (bad), text, error, fewer, extra, missing, (worst quality), (low quality),jpeg artifacts, watermark, unfinished, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, abstract, bad anatomy, bad hands, bad feet, bad hand, bad hands, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits,

使用的模型和 LoRA

VXP_XL v2.2 (Hyper) (Low cost generation!!) - AI Model封面圖片

SDXL

VXP_XL v2.2 (Hyper) (Low cost generation!!)
16.09k
Ruby Hoshino (星野 瑠美衣) - Oshi no Ko (【推しの子】) - AI Model封面圖片

用戶LoRA

Ruby Hoshino (星野 瑠美衣) - Oshi no Ko (【推しの子】)
146
Ink Art XL - AI Model封面圖片

用戶LoRA

Ink Art XL
103

推薦使用者

猜你喜歡

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
2#進擊的巨人#三笠·阿克曼
主頁模型生成Mio.2個人頁