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tx

tabi xd

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AI artwork
tx
solo, 1boy, furry, orca furry, anthropomorphic orca, white fur, blue eyes, crying, tears, streaming tears, sad, sitting, chair, sitting on chair, computer monitor, necktie, formal necktie, full body, from side, profile, looking down, hands on own face, slumped shoulders, tail, dorsal fin, black and white countershading, bare ears, no accessories, indoor, dark room, cool screen light, night The view is a full-body three-quarter profile from the side, camera slightly below the boy's shoulder line so the chair and his hanging feet read whole in the frame. He is an anthropomorphic orca in a human three-quarter seated posture: a heavy-shouldered young male with dense, short white fur over his whole body, the killer-whale countershading carried as black along his back, the outer sides of his arms and thighs, and a black dorsal fin rising from between his shoulder blades. His head is turned down and slightly away from the lens, jaw loose, one blue eye visible past the muzzle — wet and unfocused, brimming — while two tears break from the lower lid in a continuous strand, run down the white cheek fur and darken it in a narrow wet track that catches the screen light. A second strand hangs from his chin, not yet fallen. He sits deep in a worn office chair, hips pushed back against the seat, spine curled forward, both shoulders rounded and pulled in; his right elbow rests on his right thigh and his right hand is pressed flat over his muzzle, fingers spread against the fur, while his left hand hangs loose off the chair arm, knuckles slack, claws just brushing the air. His knees are together, feet flat on the floor and slightly pigeon-toed, weight dropped through the seat rather than the feet. The necktie — dark navy, narrow, silk — is still knotted at his collar but pulled askew, the knot dragged a centimetre off centre and the blade lying crumpled on his chest; his collar is buttoned but the top button is undone. A dark tail curls around the outside of the chair's right rear leg, its flukes resting on the floor behind him. The chair is bolted to the floor in front of a desk; on the desk, a boxy computer monitor faces him, and its cold blue screen light is the only light in the room. It strikes the left side of his face and chest, catching the wet strands of tears and the sheen of the white fur, and throws his shadow and the chair's shadow up the wall behind his back. Beyond the monitor's pool the room falls to near-black; a faint blue rim traces his dorsal fin and the top of his head. Palette: white fur, black countershading, navy tie, and the single cold cyan of the screen — nothing else. The tear tracks on the cheek fur are the only specular detail allowed to sparkle. Quiet grief.
Oct 24, 2026 4:54 PM
AI artwork
tx
solo, 1boy, furry, orca furry, animal, white fur, orca boy, feminine, blue eyes, crying, tears, teary eyes, looking at viewer, full body, sitting on chair, necktie, monitor, no other person, bare hands, indoor, from above, dutch angle, foreshortening The camera looks down from a high, slightly canted angle across a small dim room, tilting the frame so the chair and the desk edge run askew; the whole of him is in frame, paws to tail-tip. One feminine orca boy sits far back on a low wooden chair, knees drawn together and turned a little to his left, weight sunk on his right hip, spine curled forward so his chest almost meets his thighs, both feet flat on the floorboards with the toes angled inward. White fur covers him evenly from muzzle to hands and down to the fluke, clean and close; the orca markings ride on top of it as hard-edged countershading, a black dorsal wash over the skull and the back of the neck, black over the shoulders and down the outer arms, black flanks and a black saddle over the hip, the black closing to a point low on the belly, and a crisp black patch behind each eye; two black-tipped pointed ears flick half-flattened from the crown, a black-tipped tail curves down between the chair spindles and its fluke rests on the boards behind the rear legs. His eyes are a clear blue under heavy wet lashes, welling, two streaks running down the white cheek fur and one drop caught on the point of his chin; his lower lip is pushed out and trembling, brows pulled up in the middle, ears low, and his gaze is fixed straight up at the viewer's lens, unblinking, pleading. A narrow black necktie, loosely knotted and pulled a little askew, hangs down the front of his plain shirt collar; his hands lie in his lap with the fingers of one hand clamped over the other, claws barely denting his own white knuckles, and the tie's tail rests across the backs of them. Nothing else stands in the room: a monitor sits on the desk to his right, screen facing him and away from the camera so its pale rectangle spills cool light onto the desk surface, the underside of his chin and the wet tracks on his cheek, and casts his long chair-shadow away toward the near corner; the only other light is a dull warm grey leaking from off-frame left, so his right side and the back of the chair sink into shadow and the darkness past the desk holds with nothing in it. Palette: white fur, black orca countershading and the black tie, cold blue-white from the screen, warm grey floor between them, and the single wet shine on his face. Fine cel-edged linework, flat smooth shading with crisp shadow shapes, high detail on the tear tracks, the trembling mouth, the knotted tie and the hands in his lap. Small, tender, quietly heartbroken.
Oct 24, 2026 4:54 PM
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