余
character: shinomiya_shiori
1girl, solo, shinomiya_shiori, brown hair, long hair, sidelocks, hair bun, single hair bun, hair ornament, brown eyes, eight heads tall, tall, standing, standing still, full body, from directly front, frontal view, straight-on, facing viewer, looking at viewer, salon cape, navy blue cape, cape covering whole body, neck cord, tightened neck cord, duct tape, duct tape over mouth, gagged, tape gag, arms at sides, feet together, opaque fabric, floor-length cape, column silhouette, hem touching floor, no flare, symmetrical curtain, indoors, salon interior, design-sheet framing, single light source, cool palette.
A full-body, eight-heads-tall woman stands dead-front in a strict, symmetrical, straight-on view, her whole figure inside the frame from the crown of her head to the point where her hem meets the floor. She is a single subject rendered head to floor with nothing cut off; her long brown hair is drawn back into one high single hair bun with its hair ornament held at the back of the head, sidelocks falling in two soft strands beside her cheeks, brown eyes looking level and steady out at the viewer. Her mouth is sealed with a strip of matte grey duct tape laid flat across it, its ends pressed down against her cheeks and its edges slightly lifted where the adhesive has been smoothed by hand; behind the tape her lips are closed and her jaw is set, her breathing shallow and unhurried through the nose. She does not struggle and does not sway: her weight is even across both feet set together on the floor, her arms lying straight down inside the cape with no hand shown and no wrinkle betraying their position.
The gown that holds her is a salon cape in deep navy blue, cut as one continuous column. A narrow cord at the throat is drawn tight and knotted close under her chin, so the fabric gathers in tight radiating creases at the neckline and the collar meets her skin with no gap anywhere, not at the sides, not where the cord crosses. From the shoulders the cape falls without a waist, without a belt and without any inverse fold: its outer edge runs down in a dead-straight line on both sides, the same width at the shoulder as at the hip, so the silhouette is a rectangle of cloth rather than a body. The fabric is fully opaque — a dense matte navy weave with a faint sheen under the key light, no silkiness, no transparency, no hint of a collar, strap, or hem of anything worn beneath it; whatever outfit she wears is completely invisible, sealed away. The bottom hem ends precisely at floor level, its edge resting on the boards and casting a thin dark contact shadow; it neither pools, nor trails, nor fans out, and the fabric hangs plumb with no swing and no bell at the base.
She stands in a plain salon interior: pale wood flooring running in slight perspective toward her feet, a faintly visible tiled wall kept low in contrast behind her, and a simple stand holding bottles soft-focus in the far background so nothing competes with the figure. One strong cool key light comes from high and slightly in front on the left, laying a soft highlight down the left side of the cape and the left edge of her bun, leaving the right side of the column in gentle shadow and dropping one clean cast shadow to her right across the floorboards. Palette is disciplined: deep navy of the cape, warm brown of hair and eyes, a grey tape strip, and pale neutral wood and tile, all under cool salon light. Quiet, sealed, composed.
Nov 14, 2026 2:04 PM