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- Original Prompt
- **1. 背景設計** - 採用45度斜向黃黑警示條紋，黑色條紋加入灰色工業網格紋理增加層次感 - 右下角加入若隱若現的鋼筋截面線稿（淺灰色半透明） - 背景頂部邊緣添加金屬鉚釘細節（銀灰色） **2. 人物設定** - 服裝：深藍連身工作服配螢光黃反光條（肩線/側腰） - 安全帽：黃色帶磨損質感，側面加貼「TW-CUT」金屬銘牌貼紙 - 冷切鋸細節：鋸片呈現寒光漸層，握把處加裝紅色急停按鈕 - 動態設計：左腳微踏鋼筋束，身後飄散少量金屬火花粒子 **3. 文字排版** - 主標題：使用「Bahnschrift SemiBold」字型，文字做立體金屬蝕刻效果 - 台灣：深鐵灰 - 鋼筋切割工具研究所：黃黑漸變+1px深灰描邊 - 副標題：採機械字體「Agency FB」 - 「兄弟」二字改為手寫工地標籤字體 - 鋼筋二字加入斷裂筆劃效果 **4. 工業元素整合** - 人物腳底增加齒輪投影（半透明網格狀） - 標題下方加裝抽象化鋼筋截面圖示（4種直徑規格並列） - 畫面四角壓暗處理，中央區域打舞台聚光燈效果 **5. 安全細節強化** - 人物腰間配掛工具腰包（露出斷線鉗手柄） - 工作服胸口反光條印製ISO 3857安全認證標誌 - 背景條紋間隔符合ANSI Z535.1標準（條寬比例6:1） **6. 視覺動線規劃** - 以冷切鋸鋸片為視覺錨點，引導視線至主標題 - 人物視線方向與副標題形成三角構圖 - 警示條紋走向配合文字傾斜角度（約7度） 此設計方案在保留原始需求核心元素的同時，透過： 1. 材質紋理疊加提升工業感 2. 動態細節暗示工具效能 3. 安全規範視覺化呈現專業度 4. 色彩心理學運用（黃色占比63%保持警示性）
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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