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Cherry Blossom Viewing, Music Festival
Show Parameters
- Original Prompt
- 1girl, 14yo, young maid, bob haircut, short black hair, maid headdress, emotionless eyes, blue-black eyes, tired expression, pale skin, sharp facial features, delicate face, traditional japanese maid outfit, kimono style maid dress, modest figure, upper body, close-up, centered composition, holding flute, shinobue, japanese flute, transverse flute, correct grip, proper playing posture, musical notes, floating music notes, serious demeanor, loyal expression, subtle body language, elegant, master-servant dynamic, serene atmosphere, traditional japanese house in background, tatami, sliding doors, wooden veranda, mountain view, distant cherry blossom trees, falling petals, nihonga, japanese aesthetic, detailed ink work, brushworks, flowing lines, analog painting, vivid color, high contrast, intricate patterns, color gradients, masterpiece, ultra-detailed, best quality, sharp focus on face
- Size
- 1280 x 768
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- worst quality, bad quality, very displeasing, displeasing, bad anatomy, artistic error, lowres, bad hands, signature, artist name, multiple views, variations, old, oldest, missing fingers, excess fingers, extra hands, excess hands
Face Fix
Model & LoRA used
Similar Images
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雪葬の乙女
𝒞𝒶𝒻ℯ 𝓁𝒶𝓉𝓉ℯ
桜舞う和装の彼女
るな
painterly, sketch, anime illustration, detail illustration, A high school girl shamisen player wearing a blue kimono with a neatly aligned collar, in a room facing an autumn garden, her arm pressed against the instrument body.
High-definition anime coloring, thin and hard lines, silk luster rendered in planes, the thread-like patterns and depth of color of the blue kimono, the thickness of the overlapping collars, the milky white and chips of the ivory plectrum, the tension and shadows of the three strings, the grain of the skin stretched over the body, the wood grain of the tuning pegs, pressure marks on the pads of the fingers, white edges of the nails, light hitting every single strand of hair, the woven pattern of the obi captured thread by thread, thin shadows in the folds of the sleeves, fine vellus hair behind the ears, delicate line art, excess strings hanging thinly by the side of the body, small shadows falling under the bridge, finger marks remaining on the polished lacquer surface, wrinkles in the cloth placed on the lap, dryness and blood color on the edges of the lips, thin vellus hair on the nape of the neck.
Faint light of a rainy day, almost no shadows, background sunk in grayish-white, light entering uniformly from the front, only the white of the strings and plectrum standing out, humid and heavy air, distant view dissolved in white, weak reflections remaining on the floor.
Composed of indigo, unbleached silk, and ivory white, overall low saturation, the milky white of the plectrum as the brightest point on the screen, no black used, shadows are light blue-purple, green only in the background, red only at a single point on the lips.
Face placed near the top of the screen with the crown of the head within the frame, gaze straight toward the viewer, the intersection of the plectrum and strings placed in the center of the screen, negative space left on only one side, asymmetrical composition, shoulder line tilted slightly from horizontal, background elements limited to three, boundary between foreground and background created with blur, the four corners of the screen brightened and blown out, space left in the direction of the gaze, upper body, front view, stillness, masterpiece.
にゃん
zashikiwarashi?
Hide W
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