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View detailsShow Parameters
- Size
- 768 x 1280
- Sampling Steps
- 10
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark
Face Fix
Model & LoRA used
Similar Images
Show moremasterpiece, (best quality:1.2), (ultra detailed:1.2), (1girl:1.2), (black cap:1.3), (black ear-muff headset:1.3), (black neck gaiter:1.2), (black tank top:1.2), (tactical vest:1.3), (magazine pouch on vest:1.2), (olive-brown combat shirt:1.2), (round patch on shoulder:1.1), (tactical gloves and wristband on arm:1.1), anime style, frustrated expression, adult female soldier, holding military rifle, crouching low against wall, back to wall, avoiding intense gunfire, peeking around corner, slightly injured, torn clothing, small scratches on arm and cheek, slight bloodstain, tired expression, enduring pain while calmly waiting for chance to counterattack, close-up camera, character occupying most of frame, upper body to thighs, rifle and body with strong perspective, tense moment, bullets passing near wall, sparks and dust from concrete, bullet holes on wall, shattered concrete pieces, shell casings scattered on ground, drifting smoke, ruined urban area, destroyed buildings, rubble, no enemy soldiers, enemy presence expressed only through gunfire, impacts, sparks, bullet holes, smoke, low angle, close-range shot, dynamic perspective, strong depth perception, cinematic lighting, movie scene, tension, realistic detailed depiction, ultra detailed
RRRyu
女マフィア
ネコ大明神
1girl, solo, adult, (best quality:1.2), (ultra-detailed:1.2), (1woman:1.2), (black cap:1.3), (black ear-muff headset:1.3), (black neck gaiter:1.2), (black tank top:1.2), (tactical vest:1.3), (magazines and pouches attached to vest:1.2), (olive-brown combat shirt:1.2), (round patch on shoulder:1.1), (tactical gloves and wristband on arm:1.1), female soldier, holding military rifle, crouching low against wall, back to wall, avoiding intense gunfire, peeking around corner, slightly injured, torn clothing, small scratches on arms and cheeks, faint bloodstains, exhausted expression, enduring pain, calm, waiting for chance to counterattack, close-up camera, upper body to thighs, intense perspective on rifle and body, tense moment, bullets passing wall, sparks and dust from concrete, bullet holes on wall, shattered concrete pieces, shell casings on ground, drifting smoke, ruined urban area, destroyed buildings, rubble, no enemy visible, enemy presence only through gunfire, impact, sparks, bullet holes and smoke, low angle, close-range shot, dynamic perspective, cinematic lighting, movie scene, tension, realistic detailed depiction, ultra-detailed
RRRyu
Tactical Anime Girl in the City!
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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