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View details📜《祈りの空、英雄の剣》
帝国の心臓部、中央神殿にて―― 禁断の祭壇の封印が破られ、三闘神が目覚める。 それを成したのは、狂気の魔導士ケフカ・パラッツォ。 彼は皇帝の命令を裏切り、神の力を利用して自らが破壊の象徴となることを選んだ。 皇帝ガストラはケフカの暴走を止めようと究極魔法を放つが、三闘神の影響で無効化されてしまう。 抗う術を失った皇帝は、ケフカの一撃で沈黙した。 こうして帝国の支配構造は音を立てて崩壊し、 ケフカは宣言する――「これから始まるのは、“絶望の世界”だ」と。 彼の高笑いが神殿に響き、世界に破滅の序章を告げた。 (まぁこの辺は大体原作通り進みます)
Show Parameters
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- 682 x 1024
- Sampling Steps
- 50
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark
Model & LoRA used
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Epic dark fantasy cinematic style, a noble, cold, mature and charming female knight with golden eyes stands alone in the center of a shattered street ravaged by war. She wears exquisite silver slim-fit armor adorned with intricate gilded rose patterns, with silver chainmail and heavy skirt armor layered and interlaced, and knee-high silver high-heeled boots with a cold metallic luster. Between the skirt armor and the boots, sections of chainmail are missing, revealing tight-fitting black stockings; the armor has subtle battle-damage marks.
Camera language: Low-angle three-quarter shot, medium-long shot full-body composition, the lens is slightly tilted, using the perspective lines of the shattered street to guide the eye toward the female knight. She is located slightly to the right of the center, standing tall, forming a stable and powerful visual focal point. The foreground uses blurred rubble, broken weapons, and the severed heads of angry horned beasts to create depth; the midground emphasizes the moment after the female knight beheaded an enemy, with a blood-stained longsword pointing diagonally toward the ground, her cloak and skirt armor billowing in the wind; the background features collapsed Gothic buildings, billowing thick smoke, and silhouettes of swarms of approaching deformed orcs.
Character expression and movement: She is slightly turned to the side, the arm holding the sword hanging naturally, her brilliant golden eyes coldly scanning the surroundings through the shadow of her visor helmet. Blood stains the edges of the silver armor, her posture is composed yet wary, forming a sharp contrast with the frenzy of the surrounding beast tide.
Lighting and color: A gloomy lead-gray sky covers the battlefield, with a single golden beam of light breaking through the clouds from the side-rear, outlining the helmet, pauldrons, and body contour; cold silver metallic reflections contrast with warm golden gilded decorations. Sparks are scattered on the ground, with thin mist and dust floating in the backlight, and localized dark red bloodstains enhance the war atmosphere. Overall use of high-contrast cinematic lighting, volumetric light, realistic metal materials, detailed armor textures, natural depth of field, and rich layered environmental details.
Image quality: Cinematic concept art, realistic fantasy art, grand sense of space, clear foreground-midground-background layering, dynamic narrative moment, precise human proportions, detailed material rendering, epic atmosphere, widescreen composition, 16:9.
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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