☔️😸🐸
アイコンとプロフィール文を変更しました😊 日本では梅雨が始まるので、傘とカエルさんの絵にしています☔️🐸 プロフィール文には、LoRAに関して「名前とリンク」についてのお願いを書かせていただきました。 一読いただけると幸いです😌 私はLoRAを作るとき、毎回いろいろ考えながら、説明文もできるだけわかりやすく書くよう心がけています。 特に今回の「Floating Dreams」のLoRAについては、使い方の説明やプロンプトも公開しています。 正直なところ、「人が浮いているだけの絵」は、LoRAを使わなくても十分に出せます。 このLoRAの特徴は、「人の周囲に小物を浮かせられること」にあります。 その点をご理解いただけないまま作られた作品に、私の名前やリンクを添えられるのは……正直ちょっと困ってしまいます😅 そうした使い方は、すでに“アレンジ”の範囲だと思うので、名前などは出さず、自由に使っていただけたら嬉しいです😌 実はこれまでずっと、LoRA紹介として私の名前とリンクを付けながら、意図した効果が出ていない画像を投稿される方が多くいらっしゃいました。 正直、かなりストレスを感じていたので、今回こうして言葉にすることにしました。 ご理解いただけると嬉しいです🙇♀️💦
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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