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Face Fix
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DragoXL
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Age Slider LoRA | PonyXL SDXL
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Hand Fixer | Concept/Tool LoRA XL
482
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Niji-style①
6.09k
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R754496 | Shiiro's Styles | Niji
4.72k
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4.13k
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104
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pro illustrator mix XL
276
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[SDXL] Creative Angle/Art Composition || Original Idea Maker/Helper
215
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Show more時計仕掛けの魔術師!
水城
mp
character: istaroth_(genshin_impact), copyright: genshin_impact
masterpiece, best quality, ultra detailed, absurdres, very aesthetic, premium 2D anime fantasy illustration, museum-quality fine art, high-budget character artwork, sophisticated painterly rendering, breathtaking white-and-gold celestial atmosphere
Istaroth from Genshin Impact, portrayed as an impossibly beautiful ancient divine woman associated with time, wind, memory, forgotten ages, and eternity. Istaroth must be the absolute focal point of the artwork, visually more important than every clock, chain, effect, or background element.
CAMERA: medium to medium-full framing, noticeably closer to Istaroth than the reference image, approximately from thighs upward. The viewer feels physically positioned inside the hanging clocks, looking directly toward Istaroth. She is large in frame, her face, upper body, hands, hair, and divine outfit clearly visible. Do not make her distant or tiny.
POSE: elegant three-quarter pose, graceful and effortless. Her torso slightly angled while her face turns toward the viewer. One hand delicately touches or passes near a hanging clock chain with two fingers, while the other hand rests near her waist or lightly holds flowing fabric. Calm posture, relaxed shoulders, divine confidence, beautiful fashion-like body language without becoming editorial or magazine-like.
FACE: breathtakingly beautiful adult feminine face, refined anime features, luminous golden-amber eyes, delicate lips, picturesque art style, visible brush strokes, hyper contrast, blurred color transitions, rainbow particles, detailed eyes, long eyelashes, a perfect face, an attractive appearance, blended brushwork texture, light particles, soft gradient shading, painterly shading, colorful lineart, impressionistic strokes., calm mysterious gaze, subtle melancholy, ancient intelligence, serene expression. She should look like someone who has watched countless civilizations rise and disappear.
HAIR: very long silver-white hair with pearl, ivory, and faint champagne reflections, flowing softly between the clocks. Individual strands drift through invisible wind currents, creating the impression that wind and time move differently around her.
OUTFIT: extremely luxurious divine ceremonial gown designed around Istaroth’s lore. Pearl white, ivory, champagne white, pale antique gold, soft silver, and extremely subtle celestial blue accents. Flowing silk, layered drapery, translucent veils, detached sleeves, elegant asymmetry, fine golden embroidery, delicate sacred jewelry, thin chains, celestial clasps and ornamental details. Incorporate subtle motifs inspired by clock hands, sundials, circular time diagrams, ancient star paths, wind spirals, and fragmented Roman numerals. The design must feel sacred, ancient, expensive, and elegant rather than generic fantasy.
CLOCK COMPOSITION — VERY IMPORTANT: surround Istaroth with an enormous number of large suspended antique pocket watches, arranged like the reference image. The clocks hang from long chains descending from above and exist on many different depth layers.
Several huge pocket watches occupy the foreground close to the camera, softly blurred.
Many large watches surround Istaroth in the midground.
More clocks continue behind her and upward into atmospheric depth.
The image should feel like Istaroth is physically standing INSIDE an endless forest of hanging timepieces.
Use MANY clocks throughout the entire image, not five or ten decorative props. Some watches should be almost as large as her head or torso. Some hang beside her face, behind her shoulders, between sections of her flowing hair, and near the edges of the frame. They may partially overlap her silhouette but must NEVER obscure her eyes or face.
CLOCK DESIGN: antique pocket watches with white enamel faces, Roman numerals, elegant clock hands, engraved casings, gold and ivory metalwork, intricate filigree, pale silver chains, celestial motifs, and luxurious craftsmanship. Some watches are open, some closed, some tilted, some cracked, some pristine, some reveal delicate mechanical interiors. Avoid heavy steampunk aesthetics.
TIME SYMBOLISM: different clocks display different impossible times. Some hands appear frozen, one may show subtle movement blur, another may lack hands entirely. Add fragmented numerals, incomplete golden rings, suspended pendulum-like ornaments, faint temporal circles and tiny motionless particles. These details should indirectly suggest that Istaroth does not simply exist within time — time itself surrounds and obeys her.
HALO: behind Istaroth, add several thin incomplete concentric golden rings resembling an ancient celestial mechanism, astronomical instrument, divine crown, and clockwork halo simultaneously. Elegant, subtle, pale gold, never larger in visual importance than her face.
WIND SYMBOLISM: extremely delicate white feathers, subtle flowing air currents, tiny gold dust particles, translucent spirals and soft fabric movement. These details quietly reference the Thousand Winds without overwhelming the clock motif.
COLOR PALETTE: overwhelmingly white and gold — pearl white, ivory, cream, champagne, antique gold, pale brushed gold, soft silver. Only tiny touches of pale celestial blue or icy cyan. No dark or saturated palette.
BACKGROUND: minimal, luminous and atmospheric. Soft ivory haze, vague white stone architecture, distant sacred columns or arches dissolving into light. The background must remain blurred and secondary. No elaborate landscape or busy temple.
LIGHTING: luxurious celestial illumination. Soft heavenly light from above and behind creates glowing separation around Istaroth’s hair and silhouette, while gentle frontal light preserves her beautiful face. Narrow gold reflections appear across clock casings and chains. Controlled volumetric rays pass between the watches. Preserve detail in white fabric and white hair; avoid overexposure.
DEPTH OF FIELD: closest clocks softly blurred, Istaroth perfectly sharp, midground watches detailed but slightly softer, distant watches dissolving into pale atmosphere. The depth should make the viewer feel physically surrounded by hanging clocks while immediately focusing on Istaroth.
COMPOSITION: vertical, elegant, asymmetrical fine-art composition. Giant clocks naturally frame Istaroth from above and both sides. The viewer’s eye should travel in this order: Istaroth’s eyes → face → flowing hair → hands and gown → nearest clock → surrounding sea of suspended timepieces.
MOOD: sacred, silent, ethereal, ancient, melancholic, divine, timeless, elegant, mysterious, poetic, unreachable.
premium 2D anime illustration, refined painterly shading, elegant linework, exquisite fabric rendering, detailed metallic surfaces, cinematic atmospheric depth, collector-grade fantasy artwork, gallery-worthy composition, poetic visual storytelling, divine time symbolism, haunting beauty
no text, no typography, no magazine layout, no logo, no watermark, no border, no extra characters, watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors, expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles
Milk P
Past Works
金木犀
この時空に閉じ込めるね
金木犀
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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