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(((masterpiece))), (((best quality))), ((ultra-detailed)), (((1girl))), (illustration), ((an extremely delicate and beautiful)), (beautiful detailed eyes), (8k),8k, masterpiece, highly detailed, highres, high quality, best quality, score_9, score_8_up, score_7_up, score_6_up, thicc body, huge body, perfect anatomy body, pointy breasts, Tatsumi animation style, Sanae Character of Aneki my Sweet Elder Sister 4 the Animation, Aneki my Sweet Elder Sister the Animation style, Mizuji Kanojo animation style, Ojou Sama wa H ga Osuki animation style, beautiful crystal eyes, blue eyes, heart-shaped eyes, beautiful wavy hair with short ponytail, dark black blue hair, hair bangs, blue hair ornament, she has freckles on her face and body, huge lips, painted lips, she wants me, she gets turns on blushing happy smile, she is wearing an sexy dress with skirt, thicc hips and legs, suggestive and sensual positions.,((an extremely delicate and beautiful))masterpiece,thicc body,huge body,perfect anatomy body,pointy breasts,Tatsumi animation style,Sanae of Aneki my Sweet Elder Sister Animation style,beautiful crystal eyes,huge lips,she gets turns on blushing happy smile,anodanchinotsumatachiwastyle
Show Parameters
Size
512 x 768
Sampling Steps
20
Sampling Method
DPM++ 2M Karras
CFG Scale
6
Negative
worst quality, bad drawing, large hair, large head, low quality, extra digits, bad eye, swimsuit, extra hands, extra fingers, EasyNegativeV2, ng_deepnegative_v1_75t, watermark, 3d, realistic, earrings, low quality, lowres, bad quality, jpeg artifacts, bad hands, bad anatomy, worst quality, deformed fingers, censored, long neck, bad proportions, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, score_4, score_3, score_2, score_1, <lora:zPDXL2-neg:1>score_4, score_5, source_furry,low quality , bad anatomy, bad proportions, extra legs, deformed anatomy, messy color, deformed fingers, bad, distracted, hyperrealistic,source_furry,multiple views,watermark,censored, artist_name,source_anime,low quality,worstquality,score_4,score_3,score_2,score_1,ugly,extra limb, blurry, text,logo,signature,watermark,, blurry,logo,text,low quality,bad anatomy,sketches,lowres,normal quality,monochrome,grayscale,worstquality,signature,watermark,cropped,bad proportions,out of focus,username,bad body,long body,(fat:1.2),long neck,deformed,mutated,mutation,disconnected limbs,floating limbs,malformed limbs,missing limb,poorly drawn face,disfigured,ugly,extra limb,extra legs,bad feet,extra arms,mutated hands,poorly drawn hands,malformed hands,cross-eyed,mutated hands and fingers,bad hands,missing fingers,fused fingers,too many fingers, makeup, eyeshadow.

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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