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- Original Prompt
- full body、横から、フェイスクローズアップ、ウインドウショッピング、ファッションショップのショーケースに向かって、ショーケースのガラスに手をついてじっと見つめる、ショーウインドウの中の可愛い服を興奮しながら見ている1人の女の子、solo、a masterpiece of a woman with ultra detailed features, in 8K resolution, with crisp quality and vibrant、生き生きとした、元気な、明るい、羨ましい、羨望、憧れの表情、興奮、ハイテンション、少し赤面、大笑い、鮮やかな金髪の長い髪の毛、緑色の目、((長いhigh ponytail))、(白のリボン)、cute、round face、upturned eyes (tsurime), strong gaze, bold outlines、(big eyes:1.2), (slim)、背が小さい、(非常に痩せている)、(スレンダー)、small breasts、(綺麗な脚)、(細い脚)、白いワンピース、(shirt one-piece dress,collared,button-down:1.4)、白いサンダル、屋外、商店街、服屋の店先、ショーウインドウ、柔らかい明かり, special_eyes, best quality, semi-realistic, anime aesthetic, masterpiece, detailed eyes, Ultra HD eyes, 4k, 8k, high detail, detailed iris, intricate pupil, shiny, ((4k, Ultra HD)), ((Masterpiece :1.2)), ((Best quality :1.2)), ((Detailed :1.5)), ((Detailed background :1.5))
- Size
- 1024 x 1024
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Face Fix
Model & LoRA used
![深崎暮人[ misaki_kurehito ] | artist sytle | 3 in 1 - AI Model cover image](https://images-ng.pixai.art/images/thumb/447a3af0-da85-4637-ae70-3b78429189c6)
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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