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AI art "cow on moon" for keywords cow on moon, no humans,
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cow on moon

e

einol

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cow on moon, no humans,
Show Parameters
Size
768 x 1280
Sampling Steps
5
Sampling Method
DPM++ SDE Karras
CFG Scale
3
Negative
(bad quality, worst quality, worst detail, bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5), (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Model & LoRA used

VXP_illustrious (low cost version) - AI Model cover image

SDXL

VXP_illustrious (low cost version)
12.99k

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Avatar image of Joshua Froat
1girl, solo female, green skin, petite, adult woman, medium wavy pink hair, green alien antennae, big almond-shaped eyes, solid pure black eyes, no nose, smooth flat face, pointed ears, bare brow ridge, no eyebrows, bare lash lines, no eyelashes, wide hips, large breasts, short shiny silver go-go dress, tall white go-go boots, multiple different-colored bracelets, 1cow, animal, trying to ride cow, climbing onto cow's back, farm field, UFO in sky, flying saucer hovering overhead, bored cow, unimpressed expression, from side, full body, wide shot, outdoors, daylight, Seen in a low side-on wide shot from a few paces away, the frame divides into three horizontal bands: dark tilled soil at the bottom, a sunlit green field across the middle, and a pale sky above. In the center of the field, a stocky black-and-white cow stands four-square with all four hooves planted flat and still in the grass, its head hanging level, one ear drooped, eyes half-lidded and fixed on nothing in particular, chewing slowly — a bored, unimpressed animal that has clearly decided not to participate. Beside and slightly behind it, a petite adult woman with bright green skin is caught mid-attempt to mount it: one white go-go boot planted in the grass for balance, the other leg hiked up and hooked awkwardly over the cow's flank, her hip pressed against the animal's side and one hand fisted in the hide at the cow's shoulder blade, the other arm flung out for counterweight, her whole body leaning forward at a determined diagonal. Her wide hips and full chest pull the short, glossy silver go-go dress taut across her torso and ride up at the thigh as she twists; the metallic fabric throws hard specular highlights along every fold. The tall white boots come up to her knees, laced and spotless. On both wrists and stacking up her forearms, a scatter of thin bracelets in red, yellow, turquoise, and orange click together as she reaches. Her head is turned in profile toward the cow's neck. Her big almond-shaped eyes are entirely solid black, glossy and lidless-seeming, with bare lash lines and no lashes at all; her brow ridge is smooth and unbroken with no eyebrows above it, and her face carries no nose — a flat, smooth plane between the eyes and the small, pressed mouth. Pointed ears poke out through medium-length wavy pink hair that swings forward over her cheek as she leans, the loose waves catching the sun. From her crown rise two slender green antennae, one of them bent slightly back by the tilt of her head. Above and behind her, high in the pale sky, hangs a small silver flying saucer, tilted at a lazy angle, its underside catching a bright rim of reflected light; a faint shadow of it darkens a patch of the field well off to the left of where she is. The sun stands high and to the right, so long soft shadows from the cow's legs and the woman's raised boot stretch leftward across the grass, and every upward-facing surface — the cow's back, the crown of her hair, the tops of the boots — reads brightest. The palette is green grass and soil brown, with the silver dress, the white boots, and the candy-colored bracelets as the loud accents against pink hair and green skin. Light clutter of birdsong-empty stillness; a comic, sunlit standoff.
Joshua Froat

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