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ねえもっとちょうだい? B-b-boy, b-b-boy, duh B-b-boy, b-b-boy, duh B-b-boy, b-b-boy, duh B-b-boy, b-b-boy べー! 気付いてよ 履修してよ あたしのこと とんとん もー べー! 嫌いだよ 頭悪そうって顔するの のんのん さあ 勘繰りダンス ブギウギ 迷子でぼっち デビデビ 感情をください ハイハイ ぶー 配慮んダンス ブギウギ 解釈一致 ギミギミ 返答をください ハイハイ 「期待しないで」とか今更で は? まじで stop 脈ナシハラスメント 待ちに待った思春期頑張んべ あいうぉんちゅーコールが聞こえなーい 伝播する義務ラブ マッチング 要承認ハートのリハしたい ライブでは下手くそ やんなっちゃう はぁ「恋愛ガールは叶えたい」 衝撃のアニメ化待っています アンハッピーエンドじゃつまんない "Featuring きみ"を ねえもっとちょうだい? B-b-boy, b-b-boy, duh B-b-boy, b-b-boy, duh B-b-boy, b-b-boy, duh B-b-boy, b-b-boy ねえ 気付いても 無視するとこ そういうとこ ねえ 嫌いだと 思えるほど 強くないの さあ テンパりトーク ドギマギ ハードなチャンス デビデビ 原稿をください ハイハイ さあ ギャンブルトーク ドギマギ 恋$ベット デビデビ 全勝をください ハイハイ わああああああ は?? まじで stop 逆張りハラスメント 勝ちに行って負けるの何回目 嫌になんぜ あいうぉんちゅーコール伝わんない 飽和するテレパシ ザッピング 妄想継承してリベンジャー 先帝の無念晴らしてやる はぁ「転生したらあたしだった」 大好きの壁打ちやっています アンハッピーエンドじゃつまんない "Featuring きみ"を ねえもっとちょうだい? Duh, yeah, d-duh, yeah (b-b-boy, b-b-boy) Duh, yeah, d-duh, yeah (b-b-boy, b-b-boy) Duh, yeah, d-duh, yeah (b-b-boy, b-b-boy) Duh, yeah, d-duh, yeah (b-b-boy, b-b-boy) あいうぉんちゅーコールが聞こえなーい (b-b-boy, b-b-boy) あいうぉんちゅーコールが聞こえなーい (b-b-boy, b-b-boy) アンハッピーエンドじゃつまんない (b-b-boy, b-b-boy) "Featuring きみ"を ねえもっとちょうだい?
Show Parameters
Size
1280 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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